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Old December 21st, 2008 #1
Harry Flash
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jewsign Jews Admit They Control Hollywood

How Jewish is Hollywood?

A poll finds more Americans disagree with the statement that 'Jews control Hollywood.' But here's one Jew who doesn't.

I have never been so upset by a poll in my life. Only 22% of Americans now believe "the movie and television industries are pretty much run by Jews," down from nearly 50% in 1964. The Anti-Defamation League, which released the poll results last month, sees in these numbers a victory against stereotyping. Actually, it just shows how dumb America has gotten. Jews totally run Hollywood.

How deeply Jewish is Hollywood? When the studio chiefs took out a full-page ad in the Los Angeles Times a few weeks ago to demand that the Screen Actors Guild settle its contract, the open letter was signed by: News Corp. President Peter Chernin (Jewish), Paramount Pictures Chairman Brad Grey (Jewish), Walt Disney Co. Chief Executive Robert Iger (Jewish), Sony Pictures Chairman Michael Lynton (surprise, Dutch Jew), Warner Bros. Chairman Barry Meyer (Jewish), CBS Corp. Chief Executive Leslie Moonves (so Jewish his great uncle was the first prime minister of Israel), MGM Chairman Harry Sloan (Jewish) and NBC Universal Chief Executive Jeff Zucker (mega-Jewish). If either of the Weinstein brothers had signed, this group would have not only the power to shut down all film production but to form a minyan with enough Fiji water on hand to fill a mikvah.

The person they were yelling at in that ad was SAG President Alan Rosenberg (take a guess). The scathing rebuttal to the ad was written by entertainment super-agent Ari Emanuel (Jew with Israeli parents) on the Huffington Post, which is owned by Arianna Huffington (not Jewish and has never worked in Hollywood.)

The Jews are so dominant, I had to scour the trades to come up with six Gentiles in high positions at entertainment companies. When I called them to talk about their incredible advancement, five of them refused to talk to me, apparently out of fear of insulting Jews. The sixth, AMC President Charlie Collier, turned out to be Jewish.

As a proud Jew, I want America to know about our accomplishment. Yes, we control Hollywood. Without us, you'd be flipping between "The 700 Club" and "Davey and Goliath" on TV all day.

So I've taken it upon myself to re-convince America that Jews run Hollywood by launching a public relations campaign, because that's what we do best. I'm weighing several slogans, including: "Hollywood: More Jewish than ever!"; "Hollywood: From the people who brought you the Bible"; and "Hollywood: If you enjoy TV and movies, then you probably like Jews after all."

I called ADL Chairman Abe Foxman, who was in Santiago, Chile, where, he told me to my dismay, he was not hunting Nazis. He dismissed my whole proposition, saying that the number of people who think Jews run Hollywood is still too high. The ADL poll, he pointed out, showed that 59% of Americans think Hollywood execs "do not share the religious and moral values of most Americans," and 43% think the entertainment industry is waging an organized campaign to "weaken the influence of religious values in this country."

That's a sinister canard, Foxman said. "It means they think Jews

meet at Canter's Deli on Friday mornings to decide what's best for the Jews." Foxman's argument made me rethink: I have to eat at Canter's more often.

"That's a very dangerous phrase, 'Jews control Hollywood.' What is true is that there are a lot of Jews in Hollywood," he said. Instead of "control," Foxman would prefer people say that many executives in the industry "happen to be Jewish," as in "all eight major film studios are run by men who happen to be Jewish."

But Foxman said he is proud of the accomplishments of American Jews. "I think Jews are disproportionately represented in the creative industry. They're disproportionate as lawyers and probably medicine here as well," he said. He argues that this does not mean that Jews make pro-Jewish movies any more than they do pro-Jewish surgery. Though other countries, I've noticed, aren't so big on circumcision.

I appreciate Foxman's concerns. And maybe my life spent in a New Jersey-New York/Bay Area-L.A. pro-Semitic cocoon has left me naive. But I don't care if Americans think we're running the news media, Hollywood, Wall Street or the government. I just care that we get to keep running them.

[email protected]

http://www.latimes.com/entertainment...2313474.column
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Old December 21st, 2008 #2
Harry Flash
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jewsign ...while we're on the subject...

What Madoff investments reveal about Hollywood Jews

As financial losses resulting from the Madoff scheme continue to bleed throughout the country, two things have become clear: Jewish investors are acutely affected, and a few of them hail from Hollywood.

First we heard about Spielberg, then Katzenberg, then their longtime business manager Gerald Breslauer, who recommended investing with Madoff. Earlier today, the LA Times reported that screenwriter Eric Roth, who last week was nominated for a Golden Globe for “The Curious Case of Benjamin Button,” lost his entire retirement savings. Those are the first few to fall, but the way this Ponzi pyramid is breaking down, there will likely be more.

Is it mere coincidence that the Hollywood players ensnared in the scheme are all Jewish?

If they’re from Hollywood, they’re not really Jewish, goes the stereotype. But the Madoff mess actually reveals something contrary to the prevailing belief that there’s nothing substantively Jewish in Hollywood (besides a bunch of Jewish names). It speaks to a foundational common thread, something sacred that is shared amongst members of a close-knit community; a community built on trust.

How else can you explain the kind of incestuous financial rings developed and sustained within the Hollywood Jewish community? Spielberg entrusts his net worth to his Jewish business manager; he shares said business manager with friend Jeffrey Katzenberg; and that very same manager trusts their sizable assets to another reputable Jew: Bernard Madoff. It could be argued that the entire entertainment industry operates this way; a tribalistic clan working together, sharing with each other and trusting one another.

What’s more Jewish than that?

http://www.jewishjournal.com/swindle...jews_20081217/
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Old June 22nd, 2022 #4
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The Big Hollywood Lie:

Denying that Jews Control the Film Business

When country singer Dolly Parton told Vogue magazine a couple of months ago that her idea for a TV series about a country singer who becomes a gospel singer was turned down by Hollywood, she said that "everyone's afraid to touch anything that religious because most of the people out here are Jewish, and it's a frightening thing for them to promote Christianity." Truer words were never spoken.

But the ADL's chief troublemaker, Abe Foxman, immediately flew into one of his by-now tiresome furies and fired off a letter (which he made available to the news media, of course) to Dolly, scolding her for her innocent, honest comment. Foxman charged that Ms. Parton was invoking "the old antisemitic stereotype of Jewish control of Hollywood and hostility toward Christianity." He did not, however, directly contradict her or deny that Hollywood is controlled by his fellow Jews.

Being the nice person she is and knowing on which side her bread is buttered, Dolly dutifully and publicly apologized. She wrote to Foxman, "I regret that my words could have conjured up an impression of Jewish 'control' of Hollywood." Ever the arrogant, whining bully, Foxman accepted Ms. Parton's atonement, informing the media that is was a "refreshing capitulation." And the Hollywood lie lives on.

The Jewish denial that Hollywood is controlled by Jews is a great lie which can be attested to by anyone who has ever been associated with the film industry. Here is but one example.

In the late 1970s, New American View editor Victor Marchetti was working as a screenwriter on a spy movie. The producer, the director, Marchetti's agent and just about everyone else was Jewish. The proposed film was shopped around to several major studios. All the executives at all the studios with whom the project team met, with one exception -- Alan Ladd, Jr., then head of 20th Century Fox -- were Jewish.

At one meeting, at MCA-Universal (the studio which produced "Schindler's List"), the discussion was interrupted when a latecomer entered the studio head's office and took a seat next to Marchetti. He was a little, nondescript person who seemed out of place in the production meeting. The studio head halted the discussion and, turning to the little man, asked if he had any problems with the project after having read the treatment, an abbreviated script. The man, speaking with a foreign accent, said no, smiled at Marchetti, and departed.

"Who is he?" Marchetti asked the studio head.

The powerful Hollywood boss answered, "He's an Israeli. I just wanted to make sure there was nothing in this movie that he would not like." As the meeting continued, Marchetti began to count noses. Of the nine people in the office, Marchetti was the only non-Jew. It reminded him of many meetings he had attended in the publishing world in New York, where often he had been the only Gentile out of a dozen or more people discussing a book project.

Marchetti's Jewish agent leaned over and asked in a whisper, "What are you thinking about?"

"Everybody in the room is Jewish except me." "Forget about that," the agent said. "You just better hope that your Jews are smarter than the studio's. We're talking big bucks."

Since then, Marchetti has had several other involvements with the Hollywood movie crowd. It was always the same. The Jews were, and remain, in control of Tinsel Town. To say otherwise is to lie.

It is bad enough when a group representing less than three percent of the American population -- and many of whose members have a self-proclaimed first loyalty to a foreign nation -- should be in control of so many of America's cultural, financial and governmental institutions. But it is positively insulting for them to deny their influence and power -- particularly when they themselves are continually boasting in their own circles about their "overrepresentation" in these fields. And it is absolutely infuriating when this denial reaches the point that non-Jews are attacked by Jewish agitators and Zionist zealots for stating obvious facts and truth.

Most Americans have always been suspicious of too much power in too few hands. That's what the Constitution is all about. And that is why we have never trusted elitist groups which have tried to dictate to us. So, if we don't trust the old-line establishment, the old elite, why should we not be suspicious of the new elite -- the Jewish establishment -- and its excessive power in America.

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This essay is reprinted from the April 1, 1994, issue of New American View, a newsletter edited by Victor Marchetti. (It is no longer published.) Marchetti served for 14 years with the CIA, where he rose to be executive assistant to the deputy director. His book, The CIA and the Cult of Intelligence, co-authored with John Marks, was the first critical account of the agency written by an insider. Marchetti's presentation at the Ninth IHR Conference, "Propaganda and Disinformation: How the CIA Manufactures History," was published in the Fall 1989 Journal of Historical Review.

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From The Journal of Historical Review, September/October 1998 (Vol. 17, No. 5), page 14.

http://www.ihr.org/jhr/v17/v17n5p14_Marchetti.html
 
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