Movies with a Pro-White message

[schutzenmeister]

We all know that Hollywood is a jewish wasteland with nothing to offer White Racialists, right? But did you ever think that maybe there are a few flicks with a good message we can appreciate?

1. Birth of a Nation. This one is obvious.

2. The Shootist. John Wayne is a gunslinger who chooses to die in battle against his enemies, rather than waste away from disease. Almost all white cast, with a strong Odinist moral.

3. Cyborg 3. Hard to find sci-fi B grade movie, female cyborg discovers she is pregnant, and tries to have an abortion, but is talked out of it by her creator. She comes to realize that she is the bearer of the future of her race, and vows to fight to all ends to protect it.

4. Death Wish. Charles Bronson (jew, yeah I know) plays a regular guy who declares war on street scum (mostly black). If you can ignore Bronson's actual race, the movie shows the value of standing up for yourself.

5. Fighting back. Tom Skerrit plays a role much like Bronson's in Death Wish, as a man driven to action by the degeneracy he sees in his old neighborhood. There is a lovely scene where he uses a hand granade to show the local nigger pimp what's what.

6. Dirty Harry. Again, obvious.

Come on, there must be other movies we know that defy the Hollywood norm? Name a few!

[chrissy]

I find it hard to believe that Charles BRonson was jewish, maybe he just had some distant jewish relative, he always seemed like a tough slavic white guy. I saw his story on the Biography channel, when the producer talked to him about Death Wish he told him they were making a movie about a guy who goes out and shoots muggers, he said Bronson said " yeah i'd like to do that", the producer said " what make the movie"? and Bronson said "no I'd like to go out and shoot muggers"! The first one was very good, probably written by somebody fed up with this society.

Definitely Gone With The Wind is our movie. High Noon is another great story about standing up to the bad guys. I saw The Wizard of Oz last night on TCM and was thinking the theme of wanting to go to a better place is so much a part of the white movement , we can relate to Dorothy wanting to escape, even though she didn't live in a mud world. I don't think " there's no place like home" would really apply to whites anymore.




www.whiteextinction.com

[Abzug Hoffman]

Bronson - looks like an wrinkly old Ukrainian type to me. Probably had a rich jew grampa who picked a white Christian beautiful peasant girl for a wife.

White movie: Cecille B. Demille's King of Kings - and it tells you how to go to a better place, too. Ahahahah!

[Pontifex]

[QUOTE=chrissy;160193. High Noon is another great story about standing up to the bad guys.


High Noon was directed by Fred Zinnemann and written by Carl Foreman, both of whom were jewish, and the latter was actually black-listed. Not that I'm opposed to all movies that were produced by jews (hell, that would include David O. Selznick's Gone with the Wind), but High Noon was found to be particularly offensive by John Wayne, Walter Brennan, and director Howard Hawks, three of the greatest patriots working in classic hollywood. Anyway, they were so upset by the film and its message that they made a film as a direct response to High Noon called "Rio Bravo." The main difference is that the sherrif, John Wayne, rather than scurrying around town begging for help like Gary Cooper does in High Noon, he stands up to the villains practically alone, and actually turns down the help of people he fears might get hurt.
Anyway, it's interesting to watch both of the films together. (Rio Bravo is definitely superior in my opinion, in practically all aspects)

[N.B. Forrest]

The Holcroft Covenant, starring Michael Caine: Watched this one tonight. It's about the architect son of a "repentant Nazi war criminal" who unexpectedly becomes the administrator of a $4 billion fund secretly accumulated by his father (and 4 other "villainous" pappies) 40 years previously: supposedly to be given to Hollowco$t survivor kikels, but really to fund a Fourth Reich.

It's a real sack of jewshit - with one excellent scene. One of the secretly Nazi sons (Anthony Andrews) tells the mother of Caine's jew-loving dupe character his motives before he snuffs her:

"Truman dropped the atom bomb on innocent women & children. A senile Roosevelt signed a paper comdemning 1/3rd of the world to communism at Yalta - and my father was the convicted war criminal! Europe handed over the vast wealth of Africa to a bunch of savages who only just learned to beat a drum, then gave them tanks & guns. When the deep freezes arrive, they'll be used to store the carcasses of their enemies.

I have in my pocket the list of names you seek. A list of one thousand names - the right one thousand names. The ones who will remake the world.

You see, the world cannot be run by the frightened, the ignorant and the weak. And very soon now, it no longer will be."

If only!

I've often wondered why the O.D.E.S.S.A. organization - assuming that the rumors of its vast wealth are true - hasn't used that money to fund a massive international guerilla campaign to free the White world from the yid yoke.

Just imagine the results hundreds of millions intelligently applied could achieve....

[Aces]

SUPERMAN RETURNS (2006)

A fine movie,fantastic music score and zero non-whites. I couldn`t see any political correctness in this one.


CASINO ROYALE (2006)

Best James Bond film since Octopussy(83). Great action, very suspenseful and with all-white leads. Bond is tougher than ever.

[MrWhite]

CASINO ROYALE (2006)

Best James Bond film since Octopussy(83). Great action, very suspenseful and with all-white leads. Bond is tougher than ever.[/QUOTE]

Yeah it was nice seeing bond return to it's Nigger-Free roots. I think the second one is all white too if I remember right.

[Nicolas Smutt]

What about Romper Stomper? I did see that movie waiting for an anti-racist message, but I didn't find it.

[keifer]

Kurtz spells it out,...we need ten divisions of men with morality, and inherent primal drive.

Col. Kurtz's Anthropological Understanding - YouTube

Col. Kurtz's Anthropological Understanding - YouTube

[Rob Roy MacGregor]

Falling Down




Yeah, a Jew made it, and it had one scene where he killed a "neo-nazi", but his pissed off White guy persona was a classic!

From beating the shit out of a gook shopkeep, to standing up to muds, to giving a Jew a heart attack on the golf course... this movie was more pro-white than not.

Watching Michael Douglas in "Falling Down" is watching a great actor at his peak, an actor absorbing his character to the point that he becomes his character. I think we've all felt like his character at one time or another - this film does an impressive job of showing how we'd all like to react.

Douglas plays Bill Foster, a typical American man in his forties stuck in a traffic jam on a humid LA day. He is wearing a white shirt and tie, glasses, and he has a crew-cut. As the horns honk from various cars around him, he finally gives up and exits his car, slamming the door behind him. "I'm going home," he says, and walks towards downtown LA, all by himself.

Bill enters a convenience store owned by a Korean man ("Not Chinese, Korean!"). He wants change for a phone call, but the Korean man says he must buy something first. Bill gets a soda, but it's eighty-five cents. "That doesn't leave enough for the phone call!" he says. "Etty-fihve-ceents" the Korean man mumbles with wrong pronunciation. Bill starts getting mad. He smashes up the store with the owner's baseball bat and moves out into LA. He sits on a gangland's turf. Two Latino gang members try to stick him with a knife and steal his briefcase, but he bashes them with the baseball bat. As they run away, he yells, "You forgot the briefcase!"

Through a matter of events, Bill ends up with a bag of heavy-duty weapons in the hours to come, and he parades across LA like a commando on a mission. He meets a neo-Nazi, an ignorant man on a golf course, and the most hilarious point in the film, when he enters a burger joint and wants breakfast ("We stopped serving breakfast at 11:30" they say. It is 11:34.) He demands that he, the customer, is right, and therefore should have breakfast if he wants it. So he whips out an Uzi. Then they get him his breakfast.

Meanwhile, a retiring cop (Robert Duvall) chases down Bill. They call him D-FENS, because that is what his car license plate says. This is a vital clue for the film later, and the scenes with Duvall are the only cliched points in the film (a cop who is retiring on the same day gets one last big case and finds himself again).

"Falling Down" is "Taxi Driver" with a blend of dark humor. This is an all-American man who finally falls down, who finally gives in, who final succumbs to the pressure of the world and snaps. He is a bit truer of an American than Travis Bickle, who was deeply psychotic. He is just an Average Joe who snaps under the pressure and flies off the hook. Everything Douglas does in this film is exactly what we all feel like doing at one time or another. He never actually kills anyone, but he teaches people lessons.

For instance, he visits a bridge under construction. Cars are lined up in a traffic jam for miles. In fact, this is the same traffic jam he was in from the beginning of the film. He asks a worker what's wrong with the bridge, and he says they're fixing it. Douglas says he thinks it doesn't really need fixing - they're just trying to spend their inflated budget so they can get more money next year. "I'll give you something to fix," he says, and reaches into his stash of weapons and withdraws a bazooka. he launches a missile underneath the sewer and it explodes the road far away. The genius behind all this! Wouldn't you like to give construction workers something to fix for a change?

But the key to this is that Bill Foster never kills anyone (well, almost anyone). He never even hurts anyone that doesn't deserve hurting. He doesn't kill the golf course man - the golf course man has a heart attack. He hits the Latino gang members with a baseball bat, but he doesn't kill them. He only kills a man when his life is being threatened. He only kills in self defense. This is not a movie about a man resorting to violence to solve his problems. This is about a man rising up to make a difference in a crooked society. A man who fights for cleaner streets, cheaper prices in convenience stores, and happier-looking burgers. This is a masterful concoction of violence and comedy, but director Joel Schumacher doesn't resort to a stereotypical ending.

We would all like to fall down one time or another. After seeing "Taxi Driver," you hope you never do fall down. After seeing "Falling Down," you just hope that when it happens to you it's this funny.

http://www.celebritywonder.com/movie...ng_Down92.html

http://www.amazon.com/exec/obidos/tg...60030?v=glance

This is a classic lone wolf primer!

[chrissy]

I just saw FALLING Down a couple days ago, it's real good except for the part of the nazi shopowner, that was so phoney, but it definitely showed what whites put up with in L.A. now.

[Dasyurus Maculatus]

Re: "Ok folks, name movies with a Pro-White message....."

Zulu, with Michael Caine , Stanley Baker and a handful of Brits slaughtering multi-thousands of stone age Fuzzy-Wuzzy savages with Vickers gun, Enfield and BSA Rifle and fixed bayonets.

The message:
'Them Fuzzywuzzies Sir, they dont like it up 'em Sir'
(Quote from Corporal Jones).

http://www.citizencaine.org/films/zulu.shtml

[Antiochus Epiphanes]

Enfield? I dont know what model the rifle was but it was not famed Enfiled of WW 1 and 2 fame. It was a single shot metallic cartridge rifle like the US Springfield Trapdoor. May have been Martini-Enfields. Take a look at this list of British service rifles.

http://www.rememuseum.org.uk/arms/rifles/armbsr.htm

Loved the part where the lobsterbacks are in two rows, firing and reloading in turn, at close range mowing the brutes down like grass.

Don't forget Braveheart. Thats one of my favorites of the last decade or so. Shows what frustrated White men can do.

Originally Posted by Doppelhaken

Martini-Henry rifles were used at Rourke's Drift, the battle Zulu retold.

http://www.martinihenry.com/

The Vickers gun was decades away yet.

http://www.firstworldwar.com/atoz/mgun_vickers.htm

RE: Pro-White films, this NV article is good. Some interesting choices, especially the anti-white section.

http://www.nationalvanguard.org/story.php?id=4133

I think Gladiator is the most obvious pro-White film in recent years. That movie, with its veneration of loyalty, sacrifice and honor, has no jewish feel to it at all, excepting the nigger buddy aspect. The protagonist Maximus clearly reperesents the behavior of a vertical race; the antagonist, Comodus, represents the behavior of a horizontal race (jews, gypsies). Ostensibly, Russel Crowe's refusal to compromise on the film led to its final content. Don't know if it was intentional on his or anyone else's part, but the racial connotation and overall inspirational message of the film came through clearly to me.

[Paul Drake]

"Tinker, Tailor, Soldier, Spy" (If you can find it.) - A BBC production. Sir Alec Guinness heads an almost all White male cast in a great, twisty turny, cold war spy drama. While the vermin aren't *named*, it's easy for those with eyes to see who the enemy is. Guinness is brilliant BTW.

[Steve B]

Originally Posted by Keystone

The "Quiet Man" (1952)

Written, directed and starred all white people. Beautifully shot Irish scenery.

John Wayne should have won an Oscar. One of his few non-hero roles. Maureen O'Hara....enough said.

Wayne's character "Sean Thornton" was from Pittsburgh.

Yeah, great movie directed by John ford. My favorite character wasn't Thorton but "Red" Will Danaher played by Victor McLaglen. Stole every scene in the movie!

[John Wolf]

The Lord Of The Rings - Strong message that White Numenorians (The Races of Men) are the good guys and that blacks are the bad guys.

That witch king started out as a black numenorian, blacks = evil and destruction.

[Omega Man]

Reviewed Here: http://vnnforum.com/showthread.php?t=46670

[Cale Sparks]

Arrowhead (1953), starring Charlton Heston, Milburn Stone
Great roles for Heston and a pre-Gunsmoke Stone.
Nearly as good as Birth of a Nation in its depiction of White Liberals.

[Griff Mickin]

Originally Posted by Dasyurus Maculatus

Zulu, with Michael Caine , Stanley Baker and a handful of Brits slaughtering multi-thousands of stone age Fuzzy-Wuzzy savages with Vickers gun, Enfield and BSA Rifle and fixed bayonets.

The message:
'Them Fuzzywuzzies Sir, they dont like it up 'em Sir'
(Quote from Corporal Jones).

Another figment of the sheep being told a massive loss is a huge victory.
The Rothschilds Empire invade Zulu Land with their modern weapons of mass destruction and get their arses handed to them on a plate by the Nationalist locals armed with spears and bows and arrows.
The Rothschild Empire then went on to massacre white farmers and their wives and children.
The white farmers wives and children were kept in concentration camps where their rape was encouraged by the Rothschild Empire commanding officers but only at night so the screams of the brutally raped women and children could be heard by the husbands and fathers in the night air.

The Wolfe Tones - Come Out Ye Black And Tans

The Wolfe Tones - Come Out Ye Black And Tans