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March 18th, 2014 | #381 |
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Two Lane Blacktop
Warren Oates James Taylor Early 70's Two guys traveling across country in a 55 Chevy drag-racing for money. |
April 13th, 2014 | #382 |
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Movie Thumbs
By Alex Linder [index] April 13, 2014 Thumbnails of most of the movies i've seen so far in 2014 (that i didn't write serious reviews of). My goal this year is to see all the '70s films i've missed that are any good. I've already gone through all horror films and can say they all suck, that is a completely played-out genre. In chronological order... American Hustle (2013) - typical 5/10 movie roughly about ABSCAM which only those over 40 will vaguely remember. For all the ink spilled, there really isn't anything to say about this movie, it's not bad, there are ok scenes, but it's not particularly coherent, nor is the story that interesting. More effort into look/feel of movie (vintage 70s clothes, let's say) than anything else. Wolf of Wall Street (2013) - White nationalist point of interest: jew wearing horn rims with clear lenses to look more WASPy. Wife is his cousin. "I'm not going to let someone else fuck my cousin. If anyone's going to fuck her it's going to be me. [...] 60-65% chance the kid's going to be retarded." decent movie, far from great, 6.5/10. I don't find DiCaprio convincing as a dominant man. Did you know he speaks German fluently? The main character is a jew, Jordan Belfort, as is his sidekick, but he adopts a WASP cover and appearance for his investment firms, in the usual jewy way, just as Shleppy Cheatowitz becomes Bill Ross or Mike Greene. This movie has garnered much praise, but it's overrated because it's derivative; nothing in it that hasn't been done earlier and better in your Scarface (1983), a 10/10, and Goodfellas (1990), 9/10. We're The Millers (2013) - degenerate sex (big black cop - Aniston) dovetails to porn fetish category. Has some really funny stuff but overall annoying because of wimpy-white-man meme. 6/10, because it has some genuinely funny stuff, particularly at start. a clever idea, fairly well but politically annoyingly executed. Nebraska (2012) - savagely dreary movie shot in gray and white about the midwestern mentality. A rating doesn't make sense for this movie, watch it only if you want to learn how midwesterners act and think. It's overdrawn, but a caricature only works if based on elements actually there. The Barrens (2012) - Forgettable. Jersey jejune, let's call it. I don't understand why people make movies that don't have anything interesting or new in them. Oh wait I do, it's money. The base of the human pyramid demands little, so this movie will keep getting made, even though it's devoid of any original or interesting horror twists. That goes for the horror genre, not just this movie. Only good use of this movie is rereading up on the origins of the Jersey Devil, and becoming reacquainted with the word cryptid. 4/10. Sleepwalk With Me (2012) - basically the backstory of comedian Mike Birbiglia. Not terrible, not great, classic 5/10 movie. The Descendants (2011) - dir. by Alexander Payne, perhaps the best director going. This is a good solid 7/10 featuring George Clooney and Hawaiian setting and interesting story. Pontypool (2008) - not that good mock-zombie movie. Idea os interesting: virus spreads through words. Much could be done with that, but not literally as here. not worth watching. Good example of movie that is overpraised for its concept yet viewer's left shaking head, 3.5/10. Before the Devil Knows You're Dead (2007) - Philip Seymour Hoffman, the late. Decent movie, not great. 5.5/10. Paris, je t'aime (2006) - vignettes about Paris from maybe 15 directors. only really good one is Alexander Payne's. Not worth watching. Miami Blues (1990) - good, young Baldwin, very Aryan, when he was young and quick, instead of stout middle-aged. Worth watching. Didn't even recognize the female lead, she was so young, but she's well known. Jennifer Jason Leigh from the 10/10 Fast Times at Ridgemont High (1982). give this a nice 7.5/10. Cutter's Way (1981) - 6/10, with Jeff Bridges. Fairly interesting detective story. The Driver (1978) - decent, with Bruce Dern, see him many decades later in Nebraska, aging sucks. Breezy (1973) - decent movie, big '50s star Holden hooks up with hippy chick. This shit would never be made today, would be considered too close to pedophilia. you dont see adult men like Holden anymore anyway, 6.5/10. watch Holden and Kim Novak in Picnic (1955) if you want a good movie. Prime Cut (1972) - mob battle between Chi-town micks and cornfield towhead cow- and womanflesh peddlers. Decent, with Lee Marvin and Gene Hackman, a big star back then. 6/10. The Killer Elite (1975) James Caan and guy from Back to School (1986) who was in half the '70s movies (Burt Young). Ninjas. Not great not terrible, 5/10. Across 110th Street (1972) - decent gangster flick about Italian mob vs niggers. Klute (1972) - only reason to watch is to get a Dennis Miller allusion - not very interesting detective story featuring Donald Sutherland and Jane Fonda, 4/10. Skip it. Last edited by Alex Linder; April 13th, 2014 at 10:42 AM. |
April 13th, 2014 | #383 |
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‘The Wolf’ and the Jewish problem
by Rob Eshman December 31, 2013 “The Wolf of Wall Street” is nauseating, pornographic and soul-crushing — and you have to see it. You have to see it, because you — meaning society, Jews, all of us as individuals — have to face the questions it raises about money, wealth and morality. Director Martin Scorsese is taking some heat for depicting Jordan Belfort as a likable rogue. Yes, Belfort lies, steals and snorts avalanches of coke off naked tushees, but he loves his dad, has a great run and, after all, he’s Leonardo DiCaprio. A generation of young men will now flock to Wall Street aping Belfort, just as a generation of drug dealers took their cues from Al Pacino in “Scarface.” I don’t blame Scorsese. His genius is to examine society’s most grievous sins through its most colorful practitioners. True, he doesn’t show the effects of Belfort’s crimes on their victims — the families wrecked by financial loss and legal troubles, the people who fell for the cons and paid with their nest eggs. Then again, the movie is told entirely from Belfort’s point of view, and Scorsese and screenwriter Terence Winter probably assumed Belfort has never spent two seconds thinking about the human suffering he caused — unless it was his own. But I do regret that Scorsese chose not to deal with the fact that Jordan Belfort is Jewish. Although some of the characters in “Wolf,” like Jonah Hill’s Donnie Azoff, are clearly portrayed as Jews, even to the point of wearing chai necklaces around their coke-frosted necks, Belfort, with his Anglo looks and Frenchy name, is left to be simply American. I get it: To do otherwise might give the movie a whiff of anti-Semitic caricature. Scorsese feels much safer depicting the Italian-ness of his violent mobsters than the Jewishness of his greedy con men. But, just between us, let’s talk about Belfort-the-Jew — let’s go there. In the movie, you never really understand how someone so gifted can be so morally unmoored. But in his memoir, upon which the movie is based, whenever Belfort refers to his Jewish roots, the diagnosis becomes more apparent. He is a kid from Long Island. His dad, Max, grew up “in the old Jewish Bronx, in the smoldering economic ashes of the Great Depression.” Belfort didn’t grow up poor by any means, he just wasn’t rich enough. The hole in him wasn’t from poverty, but from desire for acceptance. The “blue-blooded WASPs,” Belfort writes, “viewed me as a young Jewish circus attraction.” Belfort had a chip on his shoulder the size of a polo pony, and so did everyone he recruited. They were, he writes, “the most savage young Jews anywhere on Long Island: the towns of Jericho and Syosset. It was from out of the very marrow of these two upper-middle-class Jewish ghettos that the bulk of my first hundred Strattonites had come….” It’s not complicated, really. Poor little Jordan wanted to show those WASPs whose country clubs he couldn’t join that he was smarter, richer, better. What he failed to understand is that just about every Jew, every minority, shares the same impulses. But only a select few decide the only way to help themselves is to hurt others. Belfort, like Bernie Madoff, is an extreme example. These are guys who feel they have nothing, they are nothing, so they will do anything to acquire everything. They cross a pretty clear line and just keep going. The question that gnaws at me is whether there’s something amiss in the vast gray area that leads right up to that line. Are the Belforts and Madoffs unnatural mutations, or are they inevitable outgrowths of attitudes that have taken root in our communities? We don’t, as a community, like to talk about money and wealth and how to acquire it and how to spend it. A Madoff affair happens — a crime that devastates thousands of people, businesses and philanthropies, many of them in the heart of the Jewish community — and we hardly speak about it anymore. These days, we are deep in the pit arguing over the American Studies Association’s (ASA) boycott of Israeli academics and whether Jewish students at Swarthmore College’s Hillel should open their doors to anti-Zionist speakers. We have devoted so many smart words and fiery sermons to these issues, you’d think the entire Jewish future depended upon them. Never mind that there are bridge clubs bigger than the ASA, and that the State of Israel, with its history, power and genius, may just survive the withering onslaught of a panel discussion in suburban Pennsylvania. The Jewish world never lacks for turbulent conversations. My only concern is whether they’re the right ones. Talking about Israel is easy — talking about money is uncomfortable. But these are the conversations we need to be having. What’s the right way to make money? How much is enough? How much must we share, and with whom? We are blessed to be living at a time of unparalleled Jewish power and wealth, and it makes us so uneasy, we prefer to talk about everything but. We have benefited from an economic and political structure that is becoming less and less just. We are enjoying unprecedented wealth as millions struggle on minimum wages, facing hunger, unemployment, benefit cuts, homelessness. We look to our rabbis and institutions for guidance, but too many of them are afraid to upset the wealthy donors upon whom they are dependent. So we talk instead about Israel, about Swarthmore, and our communities become breeding grounds for the next Madoff, the next Belfort. That’s not a movie. That’s a shame. Rob Eshman is publisher and editor-in-chief of TRIBE Media Corp./Jewish Journal. E-mail him at [email protected]. You can follow him on Twitter @foodaism. http://www.jewishjournal.com/rob_esh...jewish_problem |
April 13th, 2014 | #384 | ||
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April 15th, 2014 | #385 |
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A Soldier's Story (1984): Directed by leftist non-jew Norman Jewison. Set on an Southern army base in WW2, it's about a nigger army lawyer sent in to solve the murder of a nigger drill sergeant; the usual depictions of tension between the coon soldiers & the White racist officers & townspeople, etc. Adolph Caesar plays the DI, and very well. He's a sinister tyrant, consumed with hatred of "geechies" - dumb, shuffling coon buffoons - which he's convinced are "holding back the race"; he reveals that his father told him blacks had to guard against them, and how White soldiers in WW1 had used one to make a fool of nigs generally in France. The character is portrayed as a tormented being who doesn't fit in anywhere, disdaining most blacks and resenting Whites - and of course, da Raciss Why Main is the Dr. Frankenstein ultimately responsible for creation of him & his kind.
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"First: Do No Good." - The Hymiecratic Oath "The man who does not exercise the first law of nature—that of self preservation — is not worthy of living and breathing the breath of life." - John Wesley Hardin |
April 15th, 2014 | #386 |
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Wife rented the Virginian last night. I thought it was slowwww and boring. Told her I will show her a better movie in my opinion, Tom Horn.
Storyline A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the simple skills he knows are of no help in dealing with the ambitions of ranchers and corrupt officials as progress marches over him and the old west. |
April 27th, 2014 | #387 | |
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Movie Thumbs
By Alex Linder [index] April 27, 2014 Blackfish (2013) - 7/10. Documentary about keeping killer whales in captivity for public entertainment as at SeaWorld or former SeaLand in Canada. Turns out they sometimes kill people, you know, these whales, and management covers it up. Interesting things: just how WASPy SeaWorld and this foamy animal-training subculture is generally. The trainers are Brady Bunch types, as are the families who come to see the show. Management is dark and shadowy, don't hear much from them. They simply cover up what actually happens to preserve appearances, in every case. For it is the way of the WASP, whether high-end Episcopalian-illiberal elite, or low-end Baptist preaching dirt-eater. To the WASP, appearances are all that matters. Everything is trainer error, nothing is due to animal aggression. Nothing is fundamentally wrong with cooping up giant animals in small spaces. It's ok to lie about 'facts' (like the life length of the orca in captivity versus wild) as long as it makes the paying customers feel good. It may be that jews own SeaWorld, as they own most entertainment, from movie production companies to cruise lines, but the working environment, the subculture investigated in this film, is as WASPy as it gets. Fun facts: 100% of male orcas get fin impotence, as it were: 'dorsal collapse' they call it. Their top fin simply flops over rather than stands erect. In the wild this only happens 1% of the time. It is impossible not to read a spiritual and symbolic significance into this. The bottom line seems to be that even if you genuinely care about the animals, and follow proper training procedures...the animals will never be wholly happy cooped up, and attacks on trainers will never be completely avoidable. In short, it's a grey area. It's cool to train and swim with giant sea creatures, and audiences enjoy and will pay to see such things, but it comes at a price to both the animals and the people who work with them. That's life in the big city, I guess. I don't feel compelled to respond to what's presented in any particular way (beyond appreciating learning that orcas apparently have evolved a brain structure related to emotion not found in humans), though the point of the movie tends toward the idea that this stuff is basically unhealthy, immoral and probably ought to be outlawed. I don't agree with that, but there are certainly valid points to be made against shops like SeaWorld. It's funny though, this great concern for whales all these ex-trainers have, now that they're no longer employed and paid by SeaWorld. Why, they act like killer whales when the trainers run short of fish rewards for proper behaviors. And then there's this, which any WN will appreciate. It's one of the lies peddled by management, that the orcas you see in the family fun park are a real family - just like yours! Say two-three people: Quote:
Blue Jasmine (2013) - It's nice to be shocked every now and then. I really liked this movie. Give it 7/10. Have seen most Allen films, disliked most of them, not least because they're all overrated. All of them. Allen's a double-ugly jew - not just physically but mentally. This movie works better than the others because he's not in it. It's a character study of a WASP woman mentally fractured by her inability to parse her idea of herself as a high-minded high-ender with her actual low-rent circumstances. The reviews make no mention of the ethnic aspect here, but to me this movie works best as a study of elite WASP liberal obnoxiousness. Ordinary people aren't good enough for this woman, which I have no problem with, because to an extent it does betoken standards, but she has no call to ruin their lives, and this she does, without caring or even really noticing. Apply this woman's mindset to politics and you get what is called liberalism. Mere reality is far too crude and uncompelling for this case of head; it seeks refuge in ideological fantasies, not caring that this inflicts misery on everyone around it. It's all and always about how the WASP feels about himself; his picture of himself as preferring and exhibiting the highest and best in everything, yet while this taste can be real, it can also be merely fashion, and extremely destructive, and the WASP too often can't tell the difference or simply doesn't care. Jew Allen shows this WASP woman genuinely not caring that her wealthy lifestyle is a product of her husband's financial fraud - and in one crucial scene she does acknowledge that she basically knew it. She certainly knew it when out of anger she called the FBI on him, which had the unintended consequence of reducing her to the circumstances she hates so much she can't cope with them save through eyebrains filtered through xanax and vodka. All that matters to this WASP woman is successful social presentation and preserving one's place in the right circle. Particularly good is the scene in which Jasmine and her sister, who lives a working-class life, have drinks with the sister's fiance, an Italian greaseball mechanic, and his similarly low-rent friend. Blanchett has been widely praised, and rightly so. Just watching her eyes slide around like an uncomfortable snake as she tries to evade direct, reasonable questions from the men, desperately trying to pretend this is not HER actually doing THIS with THESE people...it's the whole thing in microcosm. The high-end WASPs are some of the most unappealing and dangerous people the planet has ever produced. A woman or man who thinks she has a beautiful mind is a danger to all around her. I'm not theorizing either, I've seen this directly in real life. There can't be enough movies made about the essential lousiness of the high-end WASP illiberal, even if it's a ratty, drecky shecky making them. The Skeptic (2009) - 5/10, average horror film; not unpleasant, ok ending. I enjoy any movie with white men acting straight. The serious brother from Wings is a good example. Just a serious man talking and speaking and acting rationally. I like that. Computer Chess (2012) - For a couple years in high school, chess was a big part of my life. I gave it up because I realized I could never be great at it, and I didn't particularly enjoy playing it seriously - in tournaments. Or at all. I found very much to be true what pro football coaches say: the pleasure of the wins is far outweighed by the misery of the losses. Tournament chess is the most physically wracking thing I've done. You wouldn't think that, would you? But try playing 3-4 high-pressure matches in one Saturday, with not much time in between, eating out of vending machines. It curdles your stomach and frays your nerves in the most irritating way. You're always one move from disaster. If you're playing someone lower ranked than you are, you should win. If you're playing someone higher ranked, you're usually beaten pretty soundly. It just isn't fun at all, except to a certain type. But for about two years, I was into it pretty heavily. It's not a thing you can really develop a skill at either, is my impression from experience. The people who are great at it are born that way, as in most things. You can study openings and books all you like, but you're not going to get that much better. Unless you really enjoy it, there's nothing particular to be gained from playing it. As with languages, with chess you get all these claims about how it helps you in other areas of life, but this really isn't true. Success in chess is based on pattern recognition, and this is one of those things you either instinctively have or don't. Computer Chess is a mockumentary about a computer chess tournament. Give it a 6/10. From the White point of view, shows the diversity of a handful of white men is more than the rest of the world combined, indeed it might be the only true or deep diversity going, the rest being skin deep. This genuine and interesting intra-white diversity is best captured in scene where the Cal-Tech nerd is in a hotel room with a New-Age couple there for a weekend of holistic healing complete with rebirthing. These familiar types are contrasted skillfully enough; there is more distance between these white ways of taking the world than is needed to encompass the comparatively shallow and limited inferior races. The Cal Tech kid is super nerdy, introverted, shy, intelligent, you know the type or stereotype; today we talk about Asperger's or call them 'spergy.' The couple is touchy feely irrational but warm-happy, as they try to draw the sharp, narrow kid into their sexual spumescence. He can stand it only so long before bolting, as we knew he must. (Polish) Seksmisja (Sex Mission) (1984) - good, 7/10. Cheesy '80s movie but in Polish, of all things. A comedy. Similar set-up to Idiocracy. Two test subjects are put to sleep for science; they wake up much later than supposed to, in 2044, when women rule the world. Hijinkskis ensue! As always, fun to read misshapen subtitles: overcepting private conversations - overcept works for me in our age of drones. "We have slept through the best years of our lives! I was supposed to get an apartment in '98!" Now that's some echt Polish-communist humor right there, boy. Venerical, suiciders. "Why are they lying so much? for some higher ideals."Ah! That's that Pravda/Istina (noble-ideological 'truth' vs. gritty-street-factual truth; i.e., lie vs reality) difference I used to go on about in my earlier radio show. In any case, it's an enjoyable movie if you can find it. Last edited by Alex Linder; April 27th, 2014 at 11:24 AM. |
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May 6th, 2014 | #388 |
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review of Oblivion (2013)
http://alternative-right.blogspot.co...n-as-anti.html |
May 7th, 2014 | #389 |
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Kon-Tiki (2012) 7.5/10 - A film based on the life of Norwegian adventurer and anthropologist Thor Heyerdahl, who crafted a primitive raft and voyaged from Peru to Tuamotu Islands in 1947, simply to prove his theory of prehistoric movement. The movie was refreshing as it showed a typical Scandinavian in a heroic, wholesome and masculine role, something rare in color films. You really feel the highs and lows of the voyage, and can't help but cheer for the men when they overcome immense obstacles. The camera work was also great, as it made you feel like you were actually in the raft with them. The dialogue however was dry and forgettable, unfortunately, but overall a great film.
The Boys Next Door (1985) 6/10- A movie about some small town kids who go to LA for the weekend after their high school graduation. Soon after, they get bored and start killing aggressive queers and rude pakis. The film is an interesting look at how Jews perceive their greatest political nemesis-rural white people. The idea they seek to show the masses in this film is that whenever blue collar white gentiles assert themselves and their space in any way, pain, havoc and death follow. Bad Grandpa (2013) 2/10 - I actually thought the Grandpa sketch on Jackass was hilarious, but this film is a heap of shit. The gags were just poorly written and the public reactions were not funny. The only time I even cracked a smile was when Grandpa knocks down the giant penguin and some New Yawk musclehead gets angry about it. The Believer (2001) 6/10- This film is about a secret Jew who becomes a Nazi skinhead. There are some good lines in this movie, including a coffee shop scene with a reporter where the character Danny makes some amazing arguments against Jews. It figures that the most intelligent Nazi the Jews have ever put on film could only be a Jew himself. The film is based on the life of a man named Dan Burros. The theme of the self-hating Jew is something that fascinates Jews, despite 98% of the population not giving a shit or even understanding it. They often project it and deconstruct it in media, in their typical ethnic arrogance. Nine Queens/Nueve Reinas (2002) 9/10- Just a brilliant film. The movie follows 2 professional con artists and their escapades throughout Buenos Aires. Gaston Pauls, who is actually half Jewish, plays a very convincing harmless-at-first sociopath. The entertaining banter between the two characters may or may not translate well in subtitles, but it's still worth it. The ending is one of the best twists I've ever seen in a movie. It was later remade by Hollywood, called "Criminal" which was so horrible I regret even mentioning it.
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"The favorite slogan of the reds is: 'No Pasarán!: Yes we have passed! And we tell them...and we tell them, we will pass again!'" ― Benito Mussolini after the Communist capitulation in Barcelona |
May 8th, 2014 | #390 |
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Political Correctness and the New Lone Ranger Movie
Michael S. Rozeff I ran across these brief comments about the new Lone Ranger movie. These are not from a politically oriented web site. Far from it. I reproduce them here because they have a bearing on certain themes that have been aired on LRC. Furthermore, I happened to have watched the original Enter the Lone Ranger not long ago and it really comes across as summarized in this person’s words. “The Lone Ranger was originally a children’s program. It was designed to inspire a moral compass in youngsters, and to give them role models to look up to. The white Ranger and the Indian are friends; they are decent, civil, they work together, they help each other out. They get along. There is no sarcasm or pettiness or meanness in them. Most importantly, they always do the right thing. There’s still magic in that simplicity. “This new remake is not just a bad film, it’s a sub-par bad film. Political correctness subverts the DNA and tortures the characters. The Lone Ranger is racist, ignorant, vulgar, callous who has to be taught how to be a nicer, better man. This has been an agenda at the studios for some years now — deconstruct the male into an asshole and then put him back together again into a pussywhipped version. The film subordinates the Lone Ranger to Tonto who is the real star of the film. Watching Depp’s version of Tonto is like watching a drag queen. No matter what film he’s in, I can’t stand looking at him anymore. “The film is really offensive.” |
May 8th, 2014 | #391 | |
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May 8th, 2014 | #392 | |
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Lose the bum fedora, asshole: you're in rich man in your 50s. Try as you might, you'll never be Keef.
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May 12th, 2014 | #393 | |
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Depp is, when all's said and done, a damn fine actor -- he should only thank his lucky stars and stick with that alone. p.s. LOL! carefully-shabby clothes. Ain't it the truth with 90% of these multimillionaire celeb bums! And Depp and his cheezy, halfassed goatee that a 14-year-old would be embarrassed to have on his zit-pocked face.
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May 12th, 2014 | #394 |
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I read Richards' autobio, and he said one of the reasons he's still alive is that he used top-shelf pharmaceutical-grade drugs like pure Merck cocaine, rather than street shit, which he calls "Mexican shoe-scrapings"..... As for heroin, he says that he never mainlined, but gave himself "bumps" in the ass, which is less dangerous, apparently. He recounts dry-out ordeals like lying in bed with Gram Parsons for days, both of them puking their guts out & shitting the bed....
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"First: Do No Good." - The Hymiecratic Oath "The man who does not exercise the first law of nature—that of self preservation — is not worthy of living and breathing the breath of life." - John Wesley Hardin |
May 12th, 2014 | #395 | |
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May 19th, 2014 | #396 |
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The Deep (1977) The only movie in existence that has every nigger as bad and all white people good. Stars Nick Nolte.
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May 19th, 2014 | #397 | |
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I would rather spend my life trying to create the best possible line to describe something than getting high and then getting lot-longer-low. |
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May 19th, 2014 | #398 | |
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Richards said one of the reasons he used the shit was just to keep up with the hectic demands of rock star life: one interview after another, marathon recording sessions that lasted for a week or more at a time without let-up.
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"First: Do No Good." - The Hymiecratic Oath "The man who does not exercise the first law of nature—that of self preservation — is not worthy of living and breathing the breath of life." - John Wesley Hardin |
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May 19th, 2014 | #399 | |
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Some shit you simply cannot do without getting wholly into it, I've heard coding (computers) described this way, by the smartest person I knew in my generation - something very mentally intense, requiring ultimate concentration and focus. |
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May 19th, 2014 | #400 | |
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