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Old February 6th, 2007 #1
Celtic_Patriot
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Default APOCALYPTO: Breaks $100 Million mark.

Tuesday February 6, 2007: Mel Gibson's "Apocalypto" breaks $100 million worldwide.

Budget of $40 million, Mel, after he said "Jews were responsible for the wars" is rewarded with $61 million profit. Being Anti-Semtic in Hollywood pays off big time. [1]

"APOCALYPTO", Mel Gibson, the first major Anti-Azatlan film.

"Apocalypto" is seen by top WN film critics as being Pro-White and anti-Azatlan (pre-Columbian land claims). In "Apocalypto" Mel Gibson showed the idiot Mestizo's that the White Man's ways are best and can teach the Mestizos how to live life better with respect for the White Man's laws, such as borders made by rivers called the Rio Grande. Mel is a humanitarian.



Mel Gibson the number #1 Power Player in Hollywood vs Anti-White Racist Bigoted Jew Extremists
Jew haters of White people still can't figure out how a White Man got to rule their industry, shows that Jews are not crafty, shrewd or even smart. Forbes already ranks Mel Gibson as #1 power broker in Hollywood. [2]



Mel Gibson's New Movie 'Being Shopped' [This was back in August]

The stupid low IQ Jew haters tried their best to kill Mel Gibson's movie. Going so far as to threaten to break their distribution contract with Mel. The Jews tried to say that saying anti-semitic things were death to one's career in Hollywood. Fact is, it makes you rich, very rich. Because the people, 98% of America and 99.99% of the world hates the Jews.

Here were the Jews whining...
Quote:
Wednesday, August 09, 2006

By Roger Friedman (stupid Jew)

Disney once again finds itself in the position of having a movie it no longer wants.

Mel Gibson's movie "Apocalypto," which Disney was supposed to release on Dec. 8, is "being shopped" to other potential distributors, sources tell me.

One potential distributor for "Apocalypto" is Lions Gate, an independent company with a history of rescuing distressed projects. In the past they've picked up Kevin Smith's "Dogma" and Michael Moore's "Fahrenheit 9/11" when Miramax was prevented from putting them out by their own agreements with Disney.

This column was the first to speculate more than a week ago that since Gibson's arrest for drunk driving and the scandal involving his anti-Semitic tirade, Disney would not want to invest any money into "Apocalypto," which already was an iffy project at best. A spokesperson for Lions Gate declined to comment on whether the company had talked to Disney or Gibson. At the same time, a reliable insider who knew the players in this game assured me that Disney was quietly shopping the film and that Lions Gate was first on its list of hopeful buyers."

http://www.foxnews.com/story/0,2933,207515,00.html

"Critics feel sure the upcoming epic, which focuses on the plight of the early Mayan race, will fail at the box office because film fans are still scarred by the anti-Jewish remarks the actor/director made to a Jewish cop during a late-night traffic stop and arrest." http://www.imdb.com/title/tt0472043/news

[3] [4]

Sorry Jews, but how are Azatlan Mayans insulted by remarks about Jews?

Don't Jews realize that they are only 2% of the population and everybody detests them for their unwarranted arrogance? That saying the truth about the Jews will only make you a millionaire in Hollywood?

Mel can insult the Jews and the Jews have to pay Mel millions.
Mel says to a Jew cop that Jews are responsible for all the wars, and the Jew Studio, Disney, is forced to distribute the film by legal contract and make Mel millions. This is why Jews are stupid in Hollywood. Little Jewboy in Hollywood now has to sit down for a lesson from the White man in Hollywood. Mel Gibson still shows the Jew segment of Hollywood how it's done.....again.

White man leading the Indians back across the Rio Grande.


Jew terrorist bolsheviks are going to have a very hard time killing off the Number one Power Broker in Hollywood, Mel Gibson. The people made Mel Gibson and the Jews always think they control things, no, the Jews are just passengers, who keep attempting to be pupeteers, but always fail because they are exposed and the show is up. The White families of America made Mel Gibson. Jews only took the money from all these White families. The problem now for the Jews is how to erase 20 years of pro-White (pro Mel Gibson) admiration by American White families, who are the vast majority of film income proceeds for the Jews.


How did Mel Gibson tell off Jews and then Force Hollywood to Distribute his "Apocalypto"?

Jews have lower IQ than Whites. This infuriates the Jews as it takes away the White worship factor, which has given the Jews so much pwoer over Whites the last 1,800 years. It turns out the combined Sephardic and Ashkenazi IQ is only IQ 96. Well below the USA whites at IQ 98.

Quote:
Lynn breaks the Israeli IQ into three components: 40 percent Ashkenazim (European Jewish) with a mean IQ of 103; 40 percent Sephardim (Oriental Jewish) with a mean IQ of 91. Which is a Jewish average of about IQ 96 pts.

[5]
The average USA white IQ is 98-120, well above the combined Jews' IQ. No wonder Mel told off Hollywood and forced them to make him rich.

The Truth is what the Public want to Hear. Jews are too stupid to get that. Mel told off the Jews right in Hollywood and then forced the Jews to distribute his film. Jewboy is slave of White Man in Hollywood.

Maybe the Jews just aren't good at making money?

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References

[1] Apocalypto breaks $100 million: http://www.boxofficemojo.com/movies/?id=apocalypto.htm

[2] Forbes ranks Mel Gibson as #1 in Hollywood: http://www.forbes.com/celebrities200...atatype=Person

[3] Jews said i"Apocalypto" was unmarketable: http://www.foxnews.com/story/0,2933,207515,00.html

[4] Jews say late night Anti-Jew tirade will cause people to hate Mel: http://www.imdb.com/title/tt0472043/news

[5] Jew Ashkenazi/Sephardic combined IQ ratings combined are only 96, below White nations: http://www.rlynn.co.uk/pages/article...ligence/t4.asp
Race Differences in Intelligence: An Evolutionary Analysis is a 2006 book by Richard Lynn representing the largest collection and review of the global cognitive ability data, by nine global regions, surveying 620 published studies from around the world, with a total of 813,778 tested individuals.





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Old February 6th, 2007 #2
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Now only if someone could get Mel to invest into a movie about the slaughter of the White Race caused be jews.
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Old February 6th, 2007 #3
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In my neck of the woods, "Apocalypto" had only a two week engagement at the local theaters. That 100 million would have easily doubled if this movie was allowed to stay longer.

No doubt the jews don't want the uneducated to get jew-wise.
 
Old February 6th, 2007 #4
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Yeah, this movie did not stay in the theaters long enough for people to have a chance too view it.
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Old February 6th, 2007 #5
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Quote:
Originally Posted by burnjewburn View Post
Now only if someone could get Mel to invest into a movie about the slaughter of the White Race caused be jews.
Maybe he is saving that for his final "fuck you" to the jews when he gets to be Clint Eastwood's age. I hope Mel all the best.
 
Old February 6th, 2007 #6
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Quote:
Originally Posted by burnjewburn View Post
Yeah, this movie did not stay in the theaters long enough for people to have a chance too view it.
Then you know something is up about the movie and its message.

I still applaud Mel...he needs to continue to do things secretly to the jewz, by making films like these. Itz no different whenthe jews do it to us.
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Old February 15th, 2007 #7
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Compare the Jews' "King Arthur" that cost $120 budget to make and only made $203 million. A return of $ 1.69 on the dollar.
http://www.boxofficemojo.com/movies/?id=kingarthur.htm

King Arthur was a big budget Jew movie and it made less than Mel Gibson's.


Right now "Apocalypto" which Hollywood said could not make any money, has made $107 million on a $40 million budget. A return investment of $ 2.68 on the dollar.
http://www.boxofficemojo.com/movies/...apocalypto.htm

People keep saying Jews know how to make money in Hollywood, they actually don't.

When Whites and Jews are given a dollar in the film business, the White guy can make about twice the profit off of the film product than the Jew guy.

Why are Jews so dumb when it comes to making money? Jews keep up their Biblical crass ranting about how they are smart and to give them all our money, but fact is, they are rather dumb. They bray a lot, but they are dumb.

I think the Jew's greatest challenge in life is trying to prove, just once, that he is smarter than the Whites around him, then he can sit back and have them all funnel their money and work to him. That's basically the Jew modus operandi, to work really hard at trying to prove he's the smartest -- just once, and then they all have to work for him. It's really a ruse, or a short play -- the Jewish game that is. A Confidence Play down through the ages. For that is all the Jew is good at...the short term mighty illusion effort.

Fortunately most people are seeing through the Jew's little game in Hollywood.
 
Old February 15th, 2007 #8
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It used to be said that a movie had to make 2 1/2 times its production cost to break even because of the expenses of distribution and even more, publicity. Last time I checked, just to open a film in the NYC market cost upwards of $10 million bucks (and last time I checked was a long time ago) . I believe that Gibson has his own distribution company and that must save him a lot of money - but the publicity costs remain. For a big picture to gross $100 million is nothing special at all and under any even remotely normal circumstances such a picture would not be counted a hit.

Shit, Verhoeven's Showgirls cost $38 million and grossed (worldwide) around $115 million and was counted an outright box office failure. That was 1995 dollars too, as opposed to our Monopoly money.

If 'worldwide' actually already includes all the spic and weird, ugly 'indian' sub human (Guatemala, Nicaragua, Paraguay, etc.) populations and nations, then the film is pretty definitely a commercial flop. Of course, they probably have to buy their tickets with shrunken heads, coffee beans or maybe nine or ten of their children (slaves and dinner).

In the real world, where people buy tickets - and tickets cost about $10 each - not very many people at all chose to go and see this film. Looking at it another way, when you consider Gibson's fortune, a gross of $100 million hardly counts as scotch and bourbon money.

Gibson has virtually no talent. He has no no eye for beauty and his images are a relentless series of simple illustrations of his even simplier stories, visually told in flat, non-informative mise en scene and in color schemes that resemble sludge. His staging of dramatic action is on the same painfully crude and simple level. Everything in every Gibson movie plays to the lowest common denominator - the trick being that he just (sort of) reverses the good/bad to include some faintly/vaguely non politically correct views on his good side. As a filmmaker, Gibson rigorously adheres to the tired Hollywood clichés and formulas that he was brought up and trained on. It's a given that this film, like all his others, must be a failure from the filmmaking-as-a-craft, and artistic standpoints.

The idea of watching the tender love story of characters uglier than garbage can covers is not my idea of a good time. Samo for his utterly rotten Christ movie, where every single actor was capable of breaking mirrors by simply looking into them. This guy has a serious problem vis a vis looks. But then again, that is just unconsciously aping the Hollywood jews he worked with and 'learned' from throughout his whole career. Ugly is good and beautiful is bad. Pretty hypocritical considering it was looks and looks alone that made this guy.
 
Old February 15th, 2007 #9
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The budgets listed include Distribution costs. You can see the Budget rise in the course of a distribution release in the figure in the lower right hand corner of top box, distribution budget is included in the Boxofficemojo's Production Budget figures. You can see the distribution budget reflected in the total budget.

For the last 80 years, Jews have made films that are political and racial and as a consequence have not made as much money as popular films for the the people, such as Gibson makes. The Jews have always lied about the books in Hollywood to try to make things appear a loss. With the advent of better technology and communication, the world has held a stronger light upon the actual money transfers in the film business. The IRS has come down hard on the Jews accounting and lying in the last 15 years and Jews can no longer make bad racial political films and then try to get their profits by claiming they don't owe taxes and saying their films "lost" money. Jews have not been making as much money because they have been making pro-Jew racial political films, which quite frankly, most White people don't care about. Now with technology spreading beyond the monopoly and control of H-wood, the Jews are caught and exposed -- and they are livid furious. They hate Gibson.


Mel Gibson checking the frame.

Gibson is very talented visually, take the images for Braveheart for example, as a director, Gibson chose John Toll as a cinematographer, and Toll is one of the greats. The Jews hate and loathe Gibson because he created White ethnic pride with Braveheart. Then he went on to create White religious pride with The Passion of Christ.

Worldwide actually does include the brown Mestizo spics. Gibson is taking the hard earned cash from the brown skinned people and smashing their native ethnic racial religions at the same time. Gibson is nothing short of a genius. Gibson is taking their own money to smash their own Aztlan.



Fucking Hilarious! White face Mestizo.
White Man showing Mestizo Aztlan what to do.
That little 4ft tall bean eater is going to make Mel about $80 million dollars.


Against the ZOG rulers.
The individual who fights against the unjust authority. True American, True Australian.

The greatness to Gibson, is he creates a sense of justice in his films. He continually strives to show the common person rising above the mundane and in to heroism. Take We Once Were Soldiers for example, there is a simple family guy who must rise to the occasion of a VC firestorm and he becomes a Greek hero, a Celtic warrior hero.

The Jews on the internet and press absolutely have tried to denigrate and criticize Gibson in every way possible and they quickly jump on opportunities to attack him. When Braveheart came out and was a massive success, the Jews quickly cast his romantic love interest, the actress Catherine McCormick, as a whore, a prostitute of Venice in the film Dangerous Beauty, this of course destroyed her career in the minds and eyes of the public, as was the jews intent, it also destroyed the memory of her character in Braveheart, and thus destroying Braveheart and it's psychological effect on the populace as getting free from the (jew) authority control.

In the real world, where a $7 ticket shows them a vision of the White man leading the world, and everybody is living in a WN nation that is currently occupied by Jews, Mestizos and Africans, is well worth it. For virtually zero advertising money, the film, before hitting the DVD market, has already made 2.68 on it's dollar total prod. and distrib. costs. This film was given virtually no advertising budget as Disney did not want to invest any more in it, even at a 3.0 profit rating. The Jews were that loathe to give publicity to a White Pride, Anti-Azatlan movie.


What upsets the Jews and gets them to complain about Gibson, is Gibson is taking the money from the other races, the Mestizos, and selling them his own Race Superiority propaganda in return, and that has always been the Jew game.

Jews really come out of the woodwork and hate it when they are shown up to be unintelligent and bad at making money. Nothing the Jew hates more than to be made a fool of. The Jews will whine and wiggle, saying the figures aren't true, Jews lying again. Unfortunately the whole Jews' line of lies for the last 2,000 years is crumbling.

Compare the Gibson film with the Jew films total cost (these figures include distribution, a typical 25% of the budget costs listed on Boxofficemojo). Compare King Arthur and Black Hawk Down (jew studio prod. and distib.) with Apocalypto (White studio prod. and distrib. contract).

Black Hawk Down: $92 million Budget, $173 million Total.
http://www.boxofficemojo.com/movies/...ckhawkdown.htm
(Whites getting killed by Blacks as a jewish anti-Bush statement.)
$1.87 return on investment of $1.

Three Kings: $75 million Budget, $108 million Total.
http://www.boxofficemojo.com/movies/?id=threekings.htm
(Multiracial JOG-ZOG agents try to have fun in a land that is not White)
$1.44 return on investment of $1.

($2.68 return on investment of $1 for Apocalypto.)

Why did Black Hawk Down and Three Kings earn less than Apocalypto? Because White people don't like to go see Whites getting killed by Blacks as some sort of anti-neocon morality play.

Whites like to see White ideas (Passion, Apocalypto) win out over the brown skin ideas, and that include the brown skin Jews.

The idea of watching the White man's ideas rule over and control the Hispanics and Latino Indians, is great. The Mestizo's are sucking it up with Mexico's take already surpassing Spain. I'm not a Christian, I'm a WN Pagan, but I support Gibson in his Passion of Christ and his Apocalypto because his pre-Vatican II orthodox Christianity.

As Apocalypto hits the DVD rental market, where 40% of the profit is these days, the Jews will continue to attack Mel Gibson on the internet every bit of the way. Many analysts, myself included, project in public and private that Apocalypto will top out at the $172 million mark within the next twelve months, giving a whopping 4.3 to 1 monetary investment figure. Gibson is pure gold in the entertainment business.

Maybe Jews just aren't any good at making money?
 
Old February 15th, 2007 #10
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Maybe if jewz actually put out movies that people will admire and respect, maybe they'll make money too. So many bombs that stink up the theaters deserve such scolding.

Mel Gibson's only recent clunker was "We Were Soldiers"....I barely made it through that one.
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Old February 19th, 2007 #11
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I bet this will be published in the next TAA unedited


Teh JEW haz a LOwer IQ then MeL GiBsno!
Teh jeW TerRorIst BolShEvIks aR goiNg doWn anD HollYwOOd wiLL be WhItE !
aLL HaiLs our nEw FhureR MeL GiBsoN !1!
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Old February 19th, 2007 #12
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A good idea would be a movie about the bolshevik revolution in Russia, with an emphasis on the role the jews played.
 
Old February 21st, 2007 #13
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Quote:
Originally Posted by Ronen View Post
A good idea would be a movie about the bolshevik revolution in Russia, with an emphasis on the role the jews played.
Yes, absolutely. You should petition his London or Los Angeles branch Icon company.

And Mel Gibson would get into it because he could portray White Christians getting killed by the Jewish heads of the NKVD, Cheka.

His next Acting movie is rumored to be a Polish Catholic General in the Polish army against the Turk Muslim assault on Vienna.

Mel basically saves Europe for the White race.

With $80 million dollars personal profit off of Apocalypto, he can afford to get full time security for his 7 children so he can begin to take more risks from Mossad attacks. Mossad has already sent death threats to him against his children, which the Santa Monica police dept traced to a Jewish Community Center, an ADL (really a JDL) type building in Santa Monica. CA. So the death threats to his children have already been docuemented as originating from tight Jewish organizations with buildings and training facilites.

That's how his former Israeli bodyguard called a Sayanim Jew officer in the California Highway Patrol to haul him in after he was drinking.

I expect in due time he will make a movie about the Jew Communists killing 52 million Whites, mostly Eastern Orthodox Christians, and 10 million Asians in the USSR.

As a WN Pagan, I support the pre-Vatican II Christianity of Mel Gibson.
 
Old March 25th, 2007 #14
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Quote:
Originally Posted by burnjewburn View Post
Now only if someone could get Mel to invest into a movie about the slaughter of the White Race caused be jews.
You know, I think he will. He knows the danger to him and his family of doing that, and I think in time, when his kids are grown, he will make a movie about the Holohoax and about the Jew USSR killing 60 million white people.

He will in time.
 
Old April 4th, 2007 #15
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That movie is interesting.

A lot of Mexican mestizos and indians didn´t like the Gibson´s Film, because Gibson shows the real nature of those indians: savages, crazy people, assassins, pigs, etc
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Old April 5th, 2007 #16
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It's really just a more honest depiction of their reality. Historically humans have been very brutal to each other. Some more than others. The history of all races contains savagery and murder. It shouldn't be censored or candy-coated.
 
Old May 22nd, 2007 #17
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Theatrical topped out at 119 million, great for a 40 million film.
DVD release will probably net his racist mouth another 45 million cash.

It pays to be a racist.

Quote:
Originally Posted by Mark View Post

It's really just a more honest depiction of their reality. Historically humans have been very brutal to each other. Some more than others. The history of all races contains savagery and murder. It shouldn't be censored or candy-coated.
Yes. Mel showed the Indians for what they are. It's an extremely anti_Mestizo film.
Here is Mel depicting how brutal the Incas, Aztecs, really were.

Mel Gibson Tells Prof To “F*** Off”

Mel Gibson demostrates how primitive the Aztecs were..



Mel Gibson has allowed his mouth to get the better of him once more, letting the f bomb fly during a heated press conference. During his latest outburst, Gibson told a Central American Studies assistant professor to “f**k off”, stunning those in attendance.


http://www.celebrity-gossip.net/cele...-f-off-200403/


When Mel went to give a lecture on it at Cal State Northridge, he got torn into verbally by all the Mestizo college filmmakers.
 
Old May 22nd, 2007 #18
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Yeah, it must have shocked the educated (?) beaners to have whitey mouth back at them. That just doesn't happen. They're probably in shock.
 
Old May 25th, 2007 #19
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I thought it was good, but it definately was a take-off the 1966 film The Naked Prey, which was an excellent film, and a white nationalist classic.
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Old May 26th, 2007 #20
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T.N.P. 1966 is not available on DVD.
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