Vanguard News Network
VNN Media
VNN Digital Library
VNN Reader Mail
VNN Broadcasts

Old December 20th, 2013 #1
Alex Linder
Administrator
 
Join Date: Nov 2003
Posts: 45,374
Blog Entries: 34
Alex Linder
Default #1 Plagiarism Thread: Shia LaBeouf: The Jew Jewing

[This nasty little jew with an absurd name must be the world champion plagiarist. This is the textbook definition of jew jewing jewily: plagiarizing an apology for plagiarism - it don't get no jewier than that. I'll bet you dimes to a donut this li'l kike thinks he is making some kind of stupid little meta point about acting...ie, we are all plagiarists, whether actors, writers or off-screen/off-page, we are all just copying copies, I'm the only one with the stones to admit and act on it. I'll apologize for my plagiarized apology for plagiarizing, but if you don't think I'll plagiarize that apology too, you're not picking up what I'm putting down. "My dog left a shia-laboeuf on the carpet. Bad dog!" I said to him.]


Shia LaBeouf

Shia LaBeouf Keeps Plagiarizing, Plagiarizing, and Plagiarizing

No one in the world—not even those who genuinely love Duck Dynasty—could love Duck Dynasty more than Shia LaBeouf right now. Because while everyone else is debating freedom of speech vs. the male anus, LaBeouf continues to quietly and shamelessly exercise his freedom to steal speech. The LaBeouf Plagiarism Train of 2013 shows no sign of stopping; at this point, he's either the world's biggest asshole and doing it on purpose, or the world's stupidest asshole and can't stop himself.

Let's review.

- In February of this year, LaBeouf plagiarized an apology to Alec Baldwin from Esquire's 2009 "How to Be a Man" issue.

- On Monday of this week, LaBeouf also admitted to plagiarizing his 2012 directorial debut HowardCantour.com from Daniel Clowes' comic "Justin M. Damiano."

- The apology he issued for plagiarizing Clowes appeared to have been copied from a Yahoo! Answers user named Lili. (Clowes is now "exploring" legal action against LeBeouf.)

- On Wednesday morning, Buzzfeed reported that segments of comic books written and drawn by LeBeouf rely on passages written by Charles Bukowski and French writer Benoît Duteurtre. Bukowski? Yep, sounds about right.
By Wednesday afternoon, LaBeouf again took to Twitter to apologize. But instead of letting Yahoo! answer, thanks to reporting from The Film Stage, it became clear that LeBeouf borrowed words from some of greatest men of our time: Kanye West, Robert McNamara, and Tiger Woods.

- When getting called out on this much plagiarism, you might as well double the fuck down and really go for it. And so LaBeouf subsequently issued an apology Thursday morning that, according to the folks at The Wire, looks exactly like the apology Shepherd Fairey issued to the AP in 2009.

- And now, on Thursday afternoon, Dan Nadel at The Comics Journal reports that he's joined the increasingly large group of those who've been LaBeoufed. Nadel points out that the "About" page for his publishing company PictureBox looks an awful lot like the "About" page for LaBeouf's "The Campaign Book."

http://defamer.gawker.com/[email protected]

Last edited by Alex Linder; December 20th, 2013 at 07:31 PM.
 
Old December 20th, 2013 #2
Dalton Fury
Junior Member
 
Dalton Fury's Avatar
 
Join Date: Jun 2012
Location: South Carolina
Posts: 206
Dalton Fury
Default

This will stay hushed just because he's a kike
 
Old December 21st, 2013 #3
Hunter Morrow
Senior Member
 
Join Date: Jul 2011
Posts: 1,802
Hunter Morrow
Default

He apologized for plagiarizing...by plagiarizing other people's apologies for plagiarism...FOUR TIMES.



The apology to the apology about the apology of the apology being plagiarized...
WAS A PLAGIARIZED APOLOGY.

I feel like I've been caught in a worm hole.
 
Old December 23rd, 2013 #4
N.B. Forrest
Senior Member
 
N.B. Forrest's Avatar
 
Join Date: Dec 2003
Location: Virginia, CSA
Posts: 11,145
N.B. Forrest
Default



Just look at the oily kike shit. Making millions as a "superstar" "actor" when, based on looks & talent, it ought to be loudly haggling over carpets & camels in a fly-blown suk.
__________________
"First: Do No Good." - The Hymiecratic Oath

"The man who does not exercise the first law of nature—that of self preservation — is not worthy of living and breathing the breath of life." - John Wesley Hardin
 
Old December 24th, 2013 #5
zoomcopter
Senior Member
 
zoomcopter's Avatar
 
Join Date: May 2007
Location: The goyim reservation
Posts: 4,755
Blog Entries: 3
zoomcopter
Default

Quote:
Originally Posted by Hunter Morrow View Post
The apology to the apology about the apology of the apology being plagiarized...
WAS A PLAGIARIZED APOLOGY.

I feel like I've been caught in a worm hole.
That worm hole is quite Talmudic by design. It's a state of mind where facts and ideas are twisted into such complex lies so throughly yiddish, that goyim cannot see through them.
__________________
New York fines anyone using the term, "Illegal Alien" in a derogatory manner. Can using the term, "Jew" be that far behind?
 
Old January 10th, 2014 #6
varg
...
 
Join Date: Apr 2004
Posts: 9,701
varg
Default

http://www.independent.co.uk/news/pe...e-9051553.html

Shia LaBeouf retires from public life after plagiarism scandal sparks bizarre (also plagiarised) apology spree

The actor has been locked in a cycle of media ridicule and bizarre reaction since it came to light that he had plagiarised graphic novelist Daniel Clowes’ work in a short film



The signs were there as soon as the world learned that Shia LaBeouf had plagiarised his apology for plagiarising.

The actor, who recently admitted he was asked to send pictures of his penis to producers to score a role in Lars von Trier's typically controversial new movie Nymphomaniac, has been locked in a cycle of media ridicule and bizarre reaction since it came to light that he had plagiarised graphic novelist Daniel Clowes' work in a short film called Howard Cantour.com he made for Cannes Film Festival last year.
Shia LaBeouf Apologises For Plagiarising Daniel Clowes On Twitter

"I actually can't imagine what was going through his mind," the author told BuzzFeed upon noticing the imagery and dialogue in the 11-minute movie were incredibly similar to a personal story he had written called Justin M Damiano. Clowes had not been credited.

Freshly rumbled, the former Disney star reacted to his anger with a series of apologetic tweets aimed at Clowes, in which he admitted his guilt and red-cheeked embarrassment.

"In my excitement and naivete as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation," LaBeouf wrote.

"Copying isn't particularly creative work. Being inspired by someone else's idea to produce something new and different IS creative work."

Matters worsened still when BuzzFeed spotted that LaBeouf's tweeted messages on the subject closely resembled a post written four years on Yahoo! Answers by a user named Lili.

Determined to make amends, he then hired a skywriter to script an apology in vapour.

The 27-year-old then snapped and tweeted an image of the spectacle on New Year's Day, along with three definitions of the word "cloud".

Just to make matters even worse, he came under fire again for lifting an entire tweet from Gucci Mane about drug addiction and skywriting without quoting or crediting the rapper.

And then he upset Girls creator Lena Dunham, too. Read more about that here.

But it seems the time has finally come for Shia to give up the game, after he announced his retirement from public life on Twitter.

He posted:


In light of the recent attacks against my artistic integrity, I am retiring from all public life.
Shia LaBeouf (@thecampaignbook) January 10, 2014

My love goes out to those who have supported me.
— Shia LaBeouf (@thecampaignbook) January 10, 2014

#stopcreating
— Shia LaBeouf (@thecampaignbook) January 10, 2014
As of yet, no further comment has been given by way of explanation as to what exactly 'retiring from public life' will entail for the star.

Most likely, he'll be leaving the world of social media for the foreseeable future.

But equally, he could take said 'retirement' one step further, cancelling press, scheduled appearances and even premiere turns to live a secluded life away from the scrutinising glare of the media eye.

Are we set to see him at all during awards season? Or even ahead of the UK release of Nymphomaniac on 21 February 2014? Time, it seems, will tell. As, most probably, will Twitter.
 
Old January 10th, 2014 #7
N.B. Forrest
Senior Member
 
N.B. Forrest's Avatar
 
Join Date: Dec 2003
Location: Virginia, CSA
Posts: 11,145
N.B. Forrest
Default

Quote:
In light of the recent attacks against my artistic integrity...
One cannot attack what doesn't exist.
__________________
"First: Do No Good." - The Hymiecratic Oath

"The man who does not exercise the first law of nature—that of self preservation — is not worthy of living and breathing the breath of life." - John Wesley Hardin
 
Old February 9th, 2014 #8
NewsFeed
News Bot
 
Post Shia LaBeouf causes scene at 'Nymphomaniac' premiere



Shia LaBeouf causes scene at 'Nymphomaniac' premiere

BERLIN - Shia LaBeouf caused a stir at the premiere of "Nymphomaniac" at the Berlin film festival on Sunday.

LaBeouf, who has starred in the "The Transformers" movies and in "Nymphomaniac" plays a lover of the main character Joe.

Asked how it felt to perform sexually explicit scenes in the film, LaBeouf took an oblique swipe at journalists, suggesting they were like "seagulls following the trawler to get sardines". He then walked out of the press conference.

LaBeouf later appeared on the premiere's red carpet wearing a brown paper bag on his head. The words 'I am not famous anymore' were scrawled on the bag, which had eye holes cut out of it.

Danish director Lars von Trier premiered the "director's cut" of the film Sunday, but stayed away from the media on a day that also saw the premiere of a film about strict Catholicism's impact on a teenage girl.

Von Trier's film starring young actress Stacy Martin and a long list of actors as her sexual partners, drew long queues to cinemas, even though it is being shown out of competition for the festival's top prize to be awarded next Saturday.

Charlotte Gainsbourg appears in the second volume of the extended version of the film, which will not be shown in Berlin.

Von Trier appeared with his cast for a photo shoot, wearing a T-shirt that said "persona non grata" - an apparent reference to his having been asked to leave the Cannes film festival three years ago after saying that Hitler had had some good ideas. As has been his custom since then, he did not attend the news conference.

Asked if the director had been able to make the films he wanted, producer Louise Veth said: "Yes he has done what he wanted to until now so let's hope that it will continue.

"Of course this, with a sex topic, made it a little difficult because of public rules. Sex is more difficult than violence - I don't know why but that's how it is."

The pairing of the Danish director's steamy opus with the German-made "Kreuzweg" ("Stations of the Cross") about a Catholic family bringing up their daughter in a strict religious environment, made for an odd juxtaposition, but one the film's director, Dietrich Bruggemann, seemed to relish.

"OUR RELIGION IS CINEMA"

"Our religion is cinema and this is the cathedral and that's what you do on Sunday. first you go to church service and then you have some fun," Bruggemann told a news conference.

"Fun" would certainly not be a word for Bruggemann's harrowing film which shows a charming, pretty and bright young girl's descent into self-loathing, self-doubt and eventually anorexia in a deeply religious German Roman Catholic family.

She is torn between the teachings of her priest, played by Florian Stetter, who at catechism class tells teenagers that rock and soul music are instruments of Satan and that "impurity is the major sin of our time", and the attentions of a boy who invites her to choir practice in a more liberal parish.

Maria, played by Lea van Acken, is attracted to the boy, but also thinks music might help her autistic brother, who has yet to speak a word at the age of four.

Her stern and fanatical mother, played with Cruella de Vil panache by Franziska Weisz, forbids it, even if most of the music is Bach, because some of it is soul and gospel.

The confrontation between Maria, who is ostracised at her local school for her extreme religious views, and her domineering mother escalates, with devastating consequences.

Bruggemann said he and his sister Anna, who wrote the screenplay with him, were raised as Catholics and while their family was not radical, he had come to know that extreme versions existed, not just in Germany but elsewhere.

"If you go to the States all you hear is religion and preaching," Bruggemann told a news conference. "The question was what happens if ideology takes first place?"

The film follows the stations of the cross, with Maria cast in the role of a female Jesus, and for the most part the camera stays still throughout each scene, leading to long passages for the actors and actresses to play without muffing their lines.

"Nymphomaniac" follows sex-addicted Joe, played by Martin in this film and by Gainsbourg in the sequel, on an odyssey of self-discovery that explores love, death and loneliness.

Viewers are spared nothing in the erotic scenes - which play out in train toilets, in apartments, even in a hospital where her father played by Christian Bale is dying - but the overall impression is of a desperately sad emptiness.

Asked whether it was difficult acting in such a graphic film, Martin paid tribute to von Trier's qualities as director. "He is very trusting, he made the job very easy," she said.

Stellan Skarsgard, who has often worked with von Trier and in this film plays a father confessor figure to whom Joe recounts her life, echoed her comment, adding: "Lars is a very funny man."

read full article at source: http://www.torontosun.com/2014/02/09...aniac-premiere
 
Old February 13th, 2014 #9
Alex Linder
Administrator
 
Join Date: Nov 2003
Posts: 45,374
Blog Entries: 34
Alex Linder
Default

[plagiarism as performance art - an actor jew tries to think]

We Went There: ‘#IAMSORRY,’ Shia LaBeouf’s Apology Performance Art Installation

WE WENT THERE
FEBRUARY 12, 2014
by MOLLY LAMBERT



In honor of Shia LaBeouf, I considered plagiarizing one of the dozens of identical blog posts about his new performance art project, #IAMSORRY, now in residence at the Cohen Gallery on Beverly Boulevard through Sunday, from 11 a.m. to 6 p.m. every day. Half the people in the relatively short line for #IAMSORRY were bloggers, and the gallery is located across the street from BuzzFeed’s L.A. office. I shared sidewalk space with a blogger from The Daily Beast, and heard I had just missed The Huffington Post. All of these bloggers were presumably coming directly from the recently shut-down Dumb Starbucks in Los Feliz, a viral performance art project by Nathan Fielder of Nathan for You, which attracted a similarly media-heavy crowd over the weekend.

#IAMSORRY is a collaboration between LaBeouf, a Finnish performance artist named Nastja Säde Rönkkö, and British artist Luke Turner. Turner’s online CV says his “work investigates the operations and oscillations of art, exploring ideas of presence and excess.” Turner and LaBeouf collaborated on a “Metamodernist Manifesto” that they posted online. Here are the first three rules from the manifesto:

Quote:
1. We recognize oscillation to be the natural order of the world.

2. We must liberate ourselves from the inertia resulting from a century of modernist ideological naivety and the cynical insincerity of its antonymous bastard child.

3. Movement shall henceforth be enabled by way of an oscillation between positions, with diametrically opposed ideas operating like the pulsating polarities of a colossal electric machine, propelling the world into action.
This will make perfect sense to you if you went to art school. For the rest of you wondering what the obsession with “oscillation” is all about, you might need a refresher course on International Art English. The laws of the manifesto get progressively more flowery as the list goes on, getting to the (relative) point in the seventh: “Just as science strives for poetic elegance, artists might assume a quest for truth. All information is grounds for knowledge, whether empirical or aphoristic, no matter its truth-value. We should embrace the scientific-poetic synthesis and informed naivety of a magical realism. Error breeds sense.” The last sentence is a call to arms: “We must go forth and oscillate!”



Shia’s oscillation at the Cohen Gallery involves a front door protected by a security guard, who waves an unimposing metal detector wand over you before letting you into the gallery space when a gallery girl knocks on the door from the inside. Visitors must enter one at a time, although what lurks inside is not as cool as James Turrell’s Perpetual Cell (currently at LACMA!). I waited in the line out front with some friends and a group of about six other people. There were some girls who seemed like they might be Shia fans, a guy in a UCB hoodie, and the aforementioned cluster of bloggers. You could recognize the other bloggers by their aura of ambivalence about the whole thing, as they have already been covering the Shia story as it has unfolded, bit by viral bit.

On the drive there I saw an ad on a Hollywood storefront for a youth production of The Wizard of Oz, with a promise that “everyone gets a part!” Child acting is one of Hollywood’s most unsettling and stalwart industries. Shirley Temple, the most famous child star of all time who also accomplished the unlikely feat of becoming a normal adult, died the day that former Disney Channel kid Shia began his performance piece at the Hollywood gallery.

I didn’t see anyone coming back out through the front door of the gallery, adding to the haunted house quality of the whole thing. Deciding I didn’t want to get murdered inside a mystery machine, I opted to scroll through posts on my smartphone by other writers who had already been inside. They all told the same story: There’s a table with objects on it; you choose one and then go behind a curtain into a smaller room where Shia sits in a chair opposite you wearing his now infamous paper-bag hat that reads “I AM NOT FAMOUS ANYMORE.” The line was pretty consistently five or six people, but dwindled down to three at one point. Shia is apparently not as popular as Dumb Starbucks.



Armed with spoiler knowledge, I waited my turn, which took about an hour. When I got inside, I saw the table and the objects others had described, which resembled a magic store in an RPG (specifically Zelda). There was a pink ukulele, a bowl of Hershey’s kisses, a Daniel Clowes book, some pliers, and a vase of flowers. There was no photography allowed. I did not see the “bowl of tweets” some had mentioned, which made me feel like I was losing a memory game. I was ushered by a young woman (Rönkkö) sitting behind the object table into the Chamber of Shiacrets.

Shia, as promised, was sitting in a chair with his Unknown Comedian paper bag mask. There were pronounced wet stains underneath the eyeholes, and his hands were on the table. I brought in a stem of daisies and laid it on the table. Then we had a staring contest for as long as I could tolerate, during which he teared up. Shia is either a big Marina Abramovic fan, or he thinks he is inventing performance art on the spot. Given that he is working with actual artists, I’m guessing it’s the former. I considered breaking the rules and taking a picture, but I felt too weird about it, which seemed like an intentional part of the piece. If Shia is now going to plagiarize famous performance art, I have a bad feeling he’s about to get really into Vito Acconci.

Shia’s foray into performance art is as annoying and obvious as Joaquin Phoenix’s, but slightly less obnoxious than James Franco’s, only because there is less of it. As a project about celebrity, authenticity, and who owns culture in the digital age, it’s pretty freshman year. As a stunt to promote Shia’s new brand as an avant-garde artist, it could be a lot worse. At best, it makes you think about what counts as art, albeit in a stonery “What does art mean, man?” way. Is blogging performance art? Is Twitter performance art? Is getting up every morning and going to bed each night performance art? Shia’s tears are crocodile tears, the tears of a child actor whose first trick was learning to cry on cue. As an audition, it’s impressive. As a work of art for the ages, it has nothing on Ghost World or Ice Haven.

http://grantland.com/hollywood-prosp...-installation/
 
Old March 29th, 2014 #10
varg
...
 
Join Date: Apr 2004
Posts: 9,701
varg
Default

Israeli rabbi rules: Plagiarism is kosher http://vnnforum.com/showthread.php?t=178365
 
Old March 16th, 2019 #11
Alex Linder
Administrator
 
Join Date: Nov 2003
Posts: 45,374
Blog Entries: 34
Alex Linder
Default

SNL accused and sued

https://www.dailymail.co.uk/news/art...CE-season.html
 
Reply

Tags
#1, plagiarism

Share


Thread
Display Modes


All times are GMT -5. The time now is 09:57 AM.
Page generated in 0.11214 seconds.