|July 12th, 2012||#1|
Join Date: Jun 2012
Location: Atlanta, Georgia
Jewish Supremacist Theatre: 'Parade' The Dramatized Leo Frank Musical is Sweeping International Theatres
Start by visiting: http://dallas.broadwayworld.com/arti...7-29-20120709#
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I hope my sarcasm doesn't stink too badly, perhaps we could sprinkle some rose buds around it.
I'm so delighted to see the broadway musical 'Parade' about he trials and tribulations of Leo Frank being played out in the spanish named Casa Manana theatre in Fort Worth, Texas, during the hottest Summer months of 2012 to commemorate the 99th anniversary of the Leo Frank trial. How wonderful it would be to have this poignant dramatization about Leo Frank circa 1913 to 1915, translated into every language on Earth and continue to play out all across the United States and the rest of the globe, blaming anti-Semitism for the indictment, conviction and hanging of Leo Frank. So far this has been achieved in over 20 countries.
The last thing in the world we would want anyone to find out about, is the racist plot Leo Frank botched, where he tried to frame his grizzly murder of Mary Phagan on his innocent African-American nightwatchman named Newt Lee. Even worse, we don't ever want people to know: during the 29-day Leo Frank trial (July 28, to August 25), on August 18, 1913, Leo Frank admitted to the Jury at 2:45pm, he was in the metal room at the time of the Phagan murder between 12:05pm and 12:10pm on April 26, 1913.
Thank you for using this musical 'Parade' as a social cultural weapon against European-Americans, to undermine their culture and laws, and demoralize them by showing just how irrationally racist they are for executing a serial pedophile on August 17, 1915, who 28 months prior, had pounded in the face of a 13 year old White girl at 12:03 pm on Saturday, April 26, 1913, just before he raped and strangled her between 12:05pm and 12:10pm.
Thank you for theatrically exonerating the Jewish pedophile and B'nai B'rith Atlanta President, Leo Frank, in the popular culture of the mainstream. This particular Jewish cultural warfront against European-Americans, has been very effective in the multifront culture war against Western Civilization, so kudos in these regards.
Please make sure that none of your audience finds out that the official Leo Frank Trial Brief of Evidence, 1913, survived into the 21st century, otherwise people might look for this legal record on the Internet, read it and then be able to connect the dots between State's Exhibit B, the testimony of Monteen Stover, and Leo Frank's explanation of why his second floor office was empty between 12:05pm and 12:10pm with a supposid "unconscious" bathroom visit to the toilet in the metal room (which is also located on the second floor). Please make sure people don't find out about State's Exhibit A and Defendant's Exhibit 61, showing the only set of bathrooms on the second floor are in the metal room, otherwise they might think Leo Frank lured Mary Phagan there to see if she would get her job back.
Thanks again for presenting this disinformation racist musical against Southerners at your theatre and helping to perpetuate the Jewish mythology that Leo Frank the toilet strangler was really as an innocent, noble and stoic Jew who was wrongfully framed in a vast anti-Semitic conspiracy by the hateful goyim.
Lastly, make sure people never lookup the Atlanta Constution newspaper, March 9, 1914, edition, or they might find Leo Frank's jailhouse interview where he once again admits he was in the metal room bathroom during the time he formerly told police Mary Phagan was in his office with him, which is at the same time Monteen Stover found Leo Frank's office empty. Hopefully most people can't put two and two together about Leo Frank's lies.
I'm glad that some racism is ok (for example against European-Americans), but other racism is wrong.
I shortened their original posting so as not to violate copyright law.
Casa Mañana’s critically-acclaimed Apprentice Program presents the Tony Award-winning musical Parade at Casa Mañana Theatre, July 27 – 29. Parade features a Tony Award-winning book and lyrics by Alfred Uhry, writer of the Pulitzer Prize-winning Driving Miss Daisy, and Jason Robert Brown.
Parade offers a poignant portrayal of hope, love and loyalty against a frightening and unforgettable pageant of prejudice. Parade is based on the true story of the trial of Leo Frank, a Brooklyn-raised Jewish man accused of murder in turn-of-the-century Georgia. This Broadway musical is performed entirely by students.
Casa Mañana’s production of Parade is presented for a limited engagement at Casa Mañana Theatre. Performance dates are Friday, July 27 at 7:30 p.m.; Saturday, July 28 at 2:00 p.m. and 7:30 p.m. and Sunday, July 29 at 2:00 p.m.
Tickets for Parade are on sale now and ca be purchased by calling the box office at 817.332.2272. You can also visit the Casa Mañana Theatre box office at 3101 West Lancaster Ave., Fort Worth. Ticket prices are $25. For more information, visit www.casamanana.org.
Read more: http://dallas.broadwayworld.com/arti...#ixzz20KwzqLE3
|June 8th, 2019||#2|
Join Date: Jun 2012
Location: Atlanta, Georgia
By Robert "Bob" Frapples, a correspondent at the incogman website.
'Parade' the Broadway Musical (1998) by Jason Robert Brown and Alfred Uhry, uses a raped teenage girl who was strangled to death as a cheap plot device to humanize and rehabilitate a sexual predator and convicted child-killer because of his ethnoreligion: Judaism.
On Confederate Memorial Day, Saturday, April 26, 1913, inside a dingy shuttered factory at the heart of Atlanta’s industrial sector, an infatuated serial rapist-pedophile, sexually assaulted one of his teenage employees. The victim had rejected her boss's flirtatious innuendos and finally an outright indecent sexual proposition and proposal for the last time. In 1913, there was no word for sexual harassment, sex offender, sexual predator or pedophile, other than some of the commonly used terms such as *degenerate libertine*, lustful, *lecherous*, rake, *satyr* and *lascivious*.
13-year-old child laborer, Little Mary Phagan (Born June 1, 1899), had been laid off because the brass sheet metal had fully depleted on Monday morning, April 21, 1913, thus without this essential production material, there could be no brass bands created to be attached at the ends of pencils, and therefore Phagan couldn't use the knurling machine at her work station to insert rubber erasers into them.
Mary and four other girls had been temporarily laid off from the Metal Room, located on the second floor of the National Pencil Company. One of those girls was named Monteen Stover, who is represented as Iola Stover in this theatrical play.
Little Miss Monteen Stover:
"Iola Stover" who worked on the 4th floor of the National Pencil Company inc., while Mary’s job at the back of the 2nd floor was a business critical dependency in the factory’s manufacturing operations, because adding erasers into the base of pencils was the last production stage, before they were placed as bunches in waxy tissue paper, packaged inside monogrammed boxes, loaded into crates, picked up by draymen (Negro deliverymen whipping on a horse-drawn flatbed carts) and later shipped off for distribution nationwide by train.
Leo Frank Created a Successful Business as its Superintendent:
During an average week, the National Pencil Company was grossing between $2500 and $5400, which was rather impressive by 1913 standards for a company born only five years prior. The NPCo factory's official founding date was: April 8th, 1908 (Atlanta Constitution Newspaper, April 8, 1908, The Internet Archive).
Between Noon and 12:02 PM, Saturday, April 26, 1913:
At the National Pencil Company headquarters, located on 37-41 South Forsyth Street in downtown Atlanta, Georgia, Miss Phagan entered the anteroom of Leo Frank’s second-floor window front office at just minutes after high noon.
Standing in the door frame between the inner room and anteroom, Little Mary Phagan said, “Mr. Frank?” and Leo’s lion-heart began thumping quickly as he recognized the voice and slowly gazed up from his papers, especially because now he was all alone with the very attractive child laborer who was dressed gaily in a handmade lavender dress trimmed with white lace, one whom he had a crush on for so long and she had blossomed far beyond her tender age.
The Paymaster James Milton Gantt
Leo had recently fired the 6’4” tall, strikingly handsome, James Milton Gantt, about two weeks earlier, because of an unaccounted $2 shortage in the petty cash payroll box. But it was nothing more than a ruse. Leo knew Mary was very much into James, as she looked up dreamy into his sky blue eyes, like he was her Knight in shining armor, and James looked after Mary as well and had known the Phagan family for years.
So the Superintendent got the prince out of the way, so the jealous dragon could play!
In comparison to the strapping farmboy Gantt, Leo was an ugly little man, snaggle-toothed with mossy gray stained teeth. Frank's feminine mouth was fearfully sensual, plump and succulent, donning freaky Obama-purplish Indonesian lips with Apsara contours and tinges of avocado hues. Leo Frank's lecherous eyeballs were hyperthyroid -- "Graves Disease" -- with bulging deep black dilated eyes, his left one out of orbit diagonal sideways to the 2 O'clock position, looking extra creepy, because they were magnified behind thick intensifying eyeglasses designed for the myopic.
The Jewish Lecher
It was Mary Anne Phagan the one employee Leo was infatuated with and couldn’t have because of Gantt, she had spurned lecherous Leo’s obnoxious pesterings and flirtatious innuendos since the Spring of 1912, humiliating his arrogant and fragile ego, and making him even more determined.
For an ambitious 29-year old Jewish White man like Leo Frank, who never liked taking "no" for an answer, now he would finally get even once and for all!
Frank said “Hello Mary” in a high pitched nebbish voice with a Brooklyn-Yiddish accent. Phagan immediately requested her reduced pay envelope of $1.20 and inquired if the ordered metal supplies had arrived yet. She was naturally concerned, because she came from a poverty-stricken family with 4 other siblings and very much depended on the money -- curiously wanting to know: if whether or not, she should return to work on Monday morning, April 28, 1913, at 6:35 a.m.
The Death March to the Metal Room Trap:
Leo Frank said inquisitively, “No, I don’t know,” as he pushed back his wooden chair, whose legs screeched against the floor boards, he stood up briskly grooming his cloths, while walking together with little Mary Phagan into the machine room, located just down the hall, opposite from Frank’s office.
Leo and Mary made small talk about wondering if Mr. Darley had received the brass shipment in a timely manner, and stocked the closet next to the lady’s dressing room, where these supplies were normally stored -- located diagonal to the wall, where the lathe work station was situated in the metal room proper. The metalroom's closet, wasn't very far from the only set of toilets that existed on the second floor.
Although Leo Frank said “No, I don’t know”, in truth his requisition papers indicated otherwise. Leo's handwritten business ledger indicated the brass shipment wasn't to be received until early in the following week. Saturday was Confederate Memorial Day, an important Georgia State holiday and no deliveries would be made because of the memorial parade. Outside the factory, the streets were brimming with festive revelers walking briskly to and fro, and despite the somber mood the holiday represented, there was excitement in the air under chilly overcast skies. The streets of Atlanta were teeming with White people on this state holiday.
Most Jewish-American accounts of the Mary Phagan murder case leave out the facts and details about what happened next…
After the 5’8” tall Leo Frank lured 4’11” tall Mary Phagan into the metal room on the pretext of determining whether or not she would need to report to work on Monday morning, April 28, 1913; upon “realizing” that the all-important metal hadn't yet arrived, he used her temporary laid off status as a species of sexual coercion, but something went very wrong and took a violent turn.
Inside the metal room, Frank’s heart began to throb and he said to Phagan -- while he gently caressed her shoulder with his effeminate hand -- “Mary, If you still want to work here, I want you to be with me”. Phagan became grotesquely horrified and tried to swiftly pass by Frank on his left side and run out of the metal room, but he checked her like he was playing basketball for his class team at Cornell, as he had faithfully participated for four years (1902 - 1906) . Blocking her escape attempt and closing ranks, this time there was nowhere to run, and there was nowhere to hide. She was cornered and there would be no escape. Flustered, he seized her angrily with both hands this time, but Phagan jerked, yanking away and told him “I’m not that kind of girl, take your hands off me!”
At this point the incident had crossed the line and could no longer be played off as a joke, as it had always been in the past with so many other male & female child laborers, 19 girls would later come forward and testify, describing "Frank's character for lasciviousness as bad" (Leo Frank Trial Brief of Evidence, 1913).
It was then at that exact moment, when she spurned the ultimatum of her lecherous and bug-eyed superintendent for the last time, denying the desires of a boss who had earned himself a reputation amongst the child laborers at the factory: as a kind of fiendish pervert.
In the silence of the storm, a great rumbling quivered through the floorboards of the second floor.
Terror Unfolded! In an explosion of rage, like a bucket of bricks falling out of the sky, Leo Frank tightly flexed his Anthony Weiner jaw, as the striated muscles in his face flexed and he clenched his left fist as the gold wedding band on his ring-finger tinkled in the dim silver light falling from the grimy factory windows, and then he pivoted, swiveling, pitching a fist curve ball into Mary Phagan’s right eye as she reeled back screaming in horror. In a precipitous storm of fury, his angry knuckles began hailing down in a flurry against her delicate feminine cheek-bones like a symphony of sledgehammers crushing rocks on the chain gang.
Jim Conley who was idly seated on a wooden crate at the factory's first floor lobby - right next to the staircase - while the assault was occurring upstairs in the metal room, eerily described to Atlanta Police weeks later, the sound of Phagan’s bone-chilling echoing cry of mortified agony: As a stuttering laugh that broke off into a shriek and then absolute silence.
Leo Frank kept pounding Mary Phagan’s face in, blow after blow, while the back of her head slammed against the lathe workstation belonging to the young machinist recently employed for 6 weeks, Robert P Barret, forensically leaving behind bloody tresses of her dark strawberry-blond hair tangled around its solid iron handle (that was shaped like an "L"). Why it was never cleaned up after the murder tends to sustain the bespectacled Leo Frank’s irrational state of mind and short-sightedness.
.....Phagan crumpled to the floor passing out at the feet of Leo Frank towering above, whose heart-pounding chest was heaving breaths of stale air as he looked down upon her and slanted shadows.
Frank's face was flushed with blood and shivering with tantalizing sexual intensity as his wildly dilated eyes sparkled like black diamonds, and were devilishly exaggerated-out from underneath his thick-lensed wire-rim eyeglasses. Frank immediately dragged Phagan to the doorway of the men's toilet in the metal room, tossing her over on the grimy oil-dirt waxy wooden floor like a sack of potatoes.
Kneeling down, Frank then ripped off a 3 inch wide strip of Phagan’s petty coat, tearing upward at first from the hem midsagittally to her crotch and then turning across horizontally momentarily, followed by tearing down to the hem again, he put the bunched ruffled material made of cotton behind her head like a sponge, to soak up the slowly leaking blood from the lathe wound.
Next Frank frantically hiked up and peeled open her torn dress, spread her tender baby fat thighs, ripped open her knitted underwear across the vagina all the way to the right seam, unbuttoned his pants, pushed his underwear down, and hocked a thick disgusting loogey of coffee and tobacco phlegm into his left palm, right onto his wedding band, and moving the thick snot-like spittle around in circles with his thumb, before massaging it all around the tip of his rock-hard STD infected 4” erect penis.
Then the Vicious Psychopath Raped Mary Phagan.
Her innocence was torn away, bleeding. Phagan woke up in agonizing pain from unconsciousness, putting her arms and hands over her black and blue eyes, sobbing and crying out in pain repeatedly, “No, No, No”, with tears showering from her swollen face, trying to roll away was impossible.
In a moment of morbid fear and frightening clarity, Leo Frank was unable to ejaculate and felt humiliating shame, seeing his whole life pass before his own eyes in Phagans tear-drenched beaten purple face. Knowing his stellar reputation in the widely assimilated German Jewish community would be irreparably harmed if she told anyone about what happened; Knowing his wife from a culturally prominent Southern-Patrician Jewish family (whose maternal ancestor Levi Cohen, two generations prior founded the first synagogue in Atlanta) would surely seek divorce in the aftermath; And knowing his family in Brooklyn would without a shadow of a doubt be devastated by him for his unspeakable crime. In this moment of ghoulish horror, Leo Frank knew he would be forever disgraced if anyone found out, and that he would likely be living out his life break stones on the chain gang..... so there was no other way out, but to permanently silence Phagan, so she couldn't tell and that’s just exactly what he did.
Frank stood up quickly looking around the room, he pulled himself together hurriedly and grabbed a nearby 7-foot long jute cord hanging off a nail on the adjacent wall. With white knuckles flexing, he garroted Mary Phagan to death, burying the cord 1/8th inches deep into her tender throat, autopsy photo shows more than one attempt at strangling her to death, it concluded by leaving the sunken knot at the right side of Mary's neck. Frank stepped back looking upon what he had done as Phagan's unseeing cornflower-blue eyes stared hideously into the ceiling's dusty emptiness. Frank gasped, frozen in time and silence, breathless with frantically shifting black eyes, back and forth, to assess the situation.
Leo Frank had just begun creating a scene right out of a chapter from the book, 'Psychopathia Sexualis', one that would continue to evolve in bizarre complexity. After some whatado thoughts, Leo called his 27-year-old Negro janitor, James "Jim" Conley, to help him remove the body from the metal room bathroom area, and dispose of the limp-lifeless body of the child into the basement, where it was intended to later be cremated in the factory's giant cellar furnace, so there would be no physical evidence of what really happened.
Leo Frank's Deliciously Conspiratorial Racist Anti-Black Sub Plot Unfolds:
However, Conley refused the final step of stuffing Mary Phagan into the oversized basement furnace-incinerator without Leo's help and instead agreed to ghost-write death notes on behalf of Leo Frank, framing the newly hired Negro nightwatchman that nobody really knew, Newton "Newt" Lee of Afro-Caribbean descent. Newt Lee in his trademark faded blue overalls, was an old 50-something, honest, married, dark complected, balding, tall and slim man with no criminal record to speak of, who had spent most of his life as a lanky negro graveyard shift security guard, doing his rounds in the cold quiet darkness, shuffling his feet in slow motion across creaky wide-plank floorboards, with a sauntering smoky lantern in tow.
The Shocking Discovery in the Cellar, Sunday, April 27, 1913:
On Sunday morning, Newt Lee the graveyard shift nightwatchman — who the racist Leo Frank tried to frame for the murder — punched the time clock at 3:01 o'clock a.m. about Frank's office, as he was required to do every half hour, and then he went down to the basement to use the racially segregated "colored" toilet for "dropping the Cosbys off at the pool" and upon completing his "bidniss" (pooping), he was upset someone forgot to leave paper there and so he went squishy-and-all to check the backdoor leading out to a service ramp at the alley. It was the loading ramp, where product was picked up by a drayman (Man with a horse-drawn carriage). It was there in the gloom at 3:20 o'clock a.m., he discovered the mauled body of an unknown little white girl -- who was later identified by Grace Hicks as Little Mary Anne Phagan -- she was dumped in the rear corner of the basement, where garbage was normally staged before being consumed in the cellar's massive furnace-incinerator that heated the building and provided hot water for the upper floors of the factory.
When the police arrived, they followed Lee down the 14-foot ladder below into the 80 foot wide, 200 feet long, stygian, catacomb-like, stone-walled tunnel, and with primitive flashlights and dancing face shadows, found tracks indicating Mary Phagan had been dragged face down 140 feet from the elevator shaft across the hard dirt cinders of the earthen basement floor, before being dumped diagonal to the incinerator, but astonishingly the deep pocks and scratches on her face didn’t show any signs of bleeding! This curious detail forensically suggested to the Coroner and undertaker that she might have already been quite dead before being taken to the basement. Physicians had known for centuries that when the heart stops beating, the bleeding-scabbing cascade in the healing process on the epidermis (skin) no longer occurs. It was an unfortunate detail the myopic murderer and his pet step-and-fetch-it -- who became an admitted accessory-after-the-fact -- had never anticipated.
Phagan’s underwear that was still attached around her hips, was soaked in dried blood and discharge. Her dress was moist from top to bottom in urine, suggesting that someone had pissed all over her entire body. Wrapped around her neck was the strip of her blood-soaked petty coat, hiding what was ghoulishly underneath, the 7-foot jute cord cinched in a loop around her neck, snugly buried 1/8 inches deep into the throat. Phagan’s face was black and blue, and her tongue stuck out from her mouth through her teeth one inch. There were wounds on the side and back of her head, and wounds below both knees. The upper side of her shirt at the chest level had been torn open revealing her left breast. Her hair and entire front part of the body were caked with coal cinders, dirt, and debris, presumably from being dragged by her ankles facedown across the hard earthen floor in the basement. Oddly, her arms were reverently crossed over her bosom. Her pocketbook made from German silver was missing and the red flowers attached to the front of her pale cobalt blue hat were missing. Her parasol was found at the bottom of the garbage strewn elevator shaft tray a few feet away and next to a no-longer-steaming coil of human excrement, later determined to have been laid by Jim the sweeper. Members of the Jewish community would make the asinine claim for more than a century that the feces in the elevator shaft is what exonerates Leo Frank, this BS theory (pun intended) is now commonly referred as the, 'Shit in the Shaft' (Oney, 2003).
Police tried all night long to contact the restlessly sleeping Leo Frank, but he didn’t answer the rattling box receiver, even though the telephone was located and ringing obnoxiously just under the wooden floorboards -- of his second-floor bedroom -- in the dining room just right below. Finally, the police were able to reach Leo Frank on the phone in the early morning hours of Sunday, April 27, 1913, letting him know they would be at his home shortly to speak with him.
When the police first arrived at the Frank-Selig residence at 68 East Georgia Avenue, Lucille answered the door in a fluffy White Turkish bathrobe. Leo stepped out from behind a curtain and was acting very nervous, struggling to put on his collar and tie. The half-dressed Frank kept delaying leaving his home, complaining he hadn't had breakfast yet, asking repeatedly for a cup of coffee, but the police insisted he come with them immediately. Frank kept asking rapid-fire questions to the police before they even had a chance to answer frustrating the police. Once inside the squad car, Leo Frank nervously claimed he didn’t know his employee Mary Phagan or any of the girls at the factory, and denied knowing Phagan’s name when he saw her mutilated corpse on a cooling table at P.J. Bloomfield’s mortuary.
When police and detectives took Frank to his second-floor office at the Pencil factory, he opened his four foot tall safe, removed the payroll ledger, and told the accompanying officers he paid off Mary Phagan employee number 186 at about 12:03 p.m. on Saturday, April 26, 1913. The next day (Monday morning, April 28, 1913) in the presence of his elite lawyers (Luther Rosser and Herbert Haas), Leo Frank made a stenographed deposition to detectives and police at the Atlanta station-house that Mary Phagan came into his office between “12:05 pm and 12:10 pm, maybe 12:07 pm” (State's Exhibit B, Leo Frank Trial Brief of Evidence, 1913).
What Leo Frank did not know at the time of the sadistic rape-murder was taking place at the men's toilet is that the 5'2" tall and 14-year-old Monteen Stover (Iola Stover), another little girl who had been laid off early in the week for the same reason as Mary — because the brass sheet metal had run out — was waiting inside his office all by her lonesome. According to Monteen "iola" Stover waited in Leo Frank’s business office from 12:05 pm to 12:10 pm based on his wall clock, hoping to collect her pay envelope, but she left after waiting for 5 full minutes, because she thought the building might have been deserted due to the state holiday.
For 3.5 months, Leo Frank swore to the murder alibi that he never left his office when Phagan arrived, until at 12:45 p.m., to go upstairs to the fourth floor, but then on the witness stand at his trial on Monday afternoon, August 18, 1913, he — Reversed himself — making a newfangled and never before heard, ineluctable admission to explain why Monteen Stover had found his office empty during the exact same time Leo Frank told the police Mary Phagan was with him in his office (State's Exhibit B, 1913).
Frank seated comfortably on the hard witness stand, said,
“NOW GENTLEMEN”, looked the jurors in their eyes and announced to a packed courtroom, that he might have gone to the bathroom in the metal room to use the toilet or urinate -- at that critical time -- and that those were things that a man does “unconsciously”. (He would re-assert this newfangled bathroom incriminating admission in a jailhouse interview published in the March 9, 1914 edition of the Atlanta Constitution, Read it: https://www.archive.org/details/Atla...14Issue10Pages AC, March 9, 1914, @ www.archive.org The Internet Archive.
Exact Leo Frank Trial Quote
Now gentlemen [of the Jury], to the best of my recollection from the time the whistle blew for twelve o’clock [noon on Saturday, April 26, 1913] until after a quarter to one [12:46 p.m.] when I went upstairs and spoke to Arthur White and Harry Denham [at the rear of the fourth floor], to the best of my recollection, I did not stir out of the inner office [at the front of the second floor]; but it is possible that in order to answer a call of nature or to urinate I may have gone to the toilet [in the metal room at the rear of the second floor]. Those are things that a man does unconsciously and cannot tell how many times nor when he does it (Leo Frank Trial Statement, August 18, Brief of Evidence, 1913).
It was deliciously ironic for unbiased observers who simply wanted to arrive at the truth, but for Leo Frank detractors, it was the equivalent of an inescapable murder trial confession, because Frank had contradicted himself and entrapped himself beyond escape in the men's toilet of the metal room.
Leo Frank’s defenders would spend 100 years suppressing this testimony about an “unconscious” metalroom bathroom incident and claim that: all the best evidence at the trial and modern analysis, indicated that Jim Conley assaulted Phagan in factory lobby on the first floor, where there was no evidence found after the murder discovery, except for a senile octogenarian named Alonzo "Lonnie" Mann (August 8, 1898 - March 19, 1985) who was formerly Leo Frank’s office boy in 1913 for three weeks before Frank's arrest. In 1982, "Lonnie" came forward 69 years after the verdict, claiming he saw Conley carrying an unconscious Mary Phagan there toward the basement's trap door of a scuttle-hole, leading to the basement, suggesting the disposal of the victim was by the stairs, instead of the elevator as Conley stated, thus contradicting Conley at the trial, who had admitted carrying the corpse of Phagan to the basement for Leo Frank by elevator, so it added no new evidence other than only changing the path of disposal, and Mann lacked veracity, because he testified to leaving at 11:30 am in 1913, not 12:05 pm. However, The Racist Anti-Defamation League of B’nai B’rith and powerful Jewish groups of American-Israeli Jewry used this questionable evidence to secure a posthumous pardon for Leo Frank on a technicality that the State of Georgia failed to protect the inmate at the Milledgeville penitentiary, but the pardon was *without exoneration for the crime* -- an important detail usually left out in almost every retelling of the Leo Frank Case.
The Prosecution's Theory: The Metal Room.
The “unconscious” toilet revelation by Leo Frank was an earth-shattering retort on the witness stand to Monteen Stover, because earlier in the trial, his accomplice-after-the-fact, Jim Conley, said he found Mary Phagan dead in the bathroom area of the metal room after Leo Frank's alleged admission, that he confessed to Jim about accidentally murdering her there because she wouldn’t have sex with him. Employee witnesses for the defense and prosecution had already testified to finding a 5 inch dried blood puddle diagonal to the bathroom door in the metal room and about a lock of Phagans bloody hair tangled around the solid metal handle of the bench lathe in the same room known officially as the metal department and colloquially as the metal room.
Had you been sitting in the Jury box or behind the judge's Rostrum on August 18, 1913, listening to Leo Frank’s explanation for why his office might have been empty, when he claimed to the police he was there alone with Mary Phagan at that exact same time, you would have involuntarily shivered as cold chills spilled down your spine, but for more than 100 years, the Jewish community has waged an anti-Gentile racist defamation campaign against Southern European-Americans and African-Americans, claiming they framed Leo Frank, indicted and convicted him for racist hate because he was Jewish and 2 years later strangled him in revenge by lynching him solely because he was Jewish, not because he had pounded in the face of a little girl, before raping and strangling her in a scenario right out of the book "Psychopathia Sexualis".
The racist anti-Gentile narrative that anti-Semitism was behind it all, has been perpetuated in the mainstream media now for more than 100 years and has become the orthodox popular culture, but is the tide changing?
The Leo Frank Case has evolved into the longest running anti-Semitic Hate crime hoax and anti-Gentile blood libel slander in the history of the United States of America.
The conviction of Leo Frank galvanized the formation of the Anti-Defamation League of B’nai B’rith in October, 1913, after the 500 member strong Atlanta B’nai B’rith voted unanimously, as reported on September 24th, 1913 (Atlanta Constitution), to re-elect their “wrongfully” imprisoned President Leo Frank to a second term as their beloved leader. Leo Frank ran the affairs of his B’nai B’rith chapter behind bars until September of 1914, when he was not re-elected again for a third term and his appeals were falling apart because of the criminal activity involved with bribing and coercing witnesses by Governor John M. Slaton (Georgia Supreme Court Records, 1913, 1914).
Leonard Dinnerstein for more than 50 years, Abraham Foxman (Op Ed, August 18, 2005) and the ADL (adl.org) have been at the forefront of perpetuating the hate crime hoax that people were shouting and chanting “hang the Jew” and “Kill the Jew” outside the Leo Frank trial courtroom that had all of its windows wide open during the proceedings, because of the hot summer days from July 28, to August 25, 1913. This is a viciously racist anti-Gentile Lie perpetuated on the ADL website, and by Abraham Foxman, Leonard Dinnerstein, and many other hatefilled domestic extremists, spreading bigoted racially tinged smears against European-American Southerners.
Why anyone would transform a sadistic pedophile and convicted child killer into a martyr of anti-Semitism is incomprehensible, but Jason Robert Brown and Alfred Uhry have made millions of dollars with their musical 'Parade' performing literally internationally, falsifying the official records of the Leo Frank Trial and humanizing a violent child molester who would be a registered sex offender today and incarcerated for life.
A dead little raped teenage girl is used as a cheap plot device to wage a vicious culture war against Southerners. Many people are asking: Are these the treacherous people we want determining our popular culture? Are these the people we want determining the theatre curriculum in our public schools and colleges?
Jews calling the Leo Frank Case an American Dreyfus Affair for more than a century is more than unconscionable chutzpah, its an act of an insolent culture war. The Leo Frank trial is being used as a morality tale for the purpose of shaming and deracinating European-Americans into denying their tradition of ethnic solidarity and wrongfully making Americans think they destroyed an innocent and nobleman because he was Jewish. This is the old mask of anti-Gentile defamation that began in 1913, with a turn of the the 21st-century facelift.
If you have even any doubts about Leo Frank’s innocence or guilt, then listen to the silent echo in time and space from the spirit of Lucille Selig Frank (February 29, 1888 - April 23, 1957).
If you ever get a chance, go to the Mount Carmel Cemetery in Queens, New York City, visit Leo Frank’s grave, and look to the left of it and stare, that empty grave was reserved for Lucille Selig, ask yourself why is it still empty in 2013? If you have doubts that grave is still empty, go to the cemetery front office at the gate entry and ask them if it is indeed empty or not, because they will tell you it is absolutely. You can actually write an official letter to the cemetery requesting information about the Frank-Stern family grave site (purchased in 1911) and they will respond on official letterhead, if you want more than just verbal proof, but physical documentation about the emptiness of grave plot #1 located left of grave plot #2 where Leo Frank is interred. In the early 1990's Steve Oney discovered that Lucille was cremated (also documented in her will, 1954), instead of buried or ashes dispersed next to her beloved Leo, and she told her family she wanted her ashes dispersed in an Atlanta park, which is about 900 miles away from her husband and the empty grave left of him from the observer.
You would think after reading all the insistent, shrill denials in mass media for the last 100 years; newspaper and magazine articles, books, made-for-TV movies, miniseries and docudramas– including heart-tugging plays (Knights of Mary Phagan by Jesse Waldinger) and even a stage musical (Parade) in New York that spread internationally like wildfire – that suggest Lucille’s love for her husband Leo Frank was eternal and lasted till the day she passed away and beyond her death. So, once again, why did she specifically not want to be buried next to Leo Frank?
Finally, why were Lucille’s ashes not spread or buried next to Leo Frank?
Because Lucille was no feather brained step-ford wife when all is said and done. If she really loved Leo Frank eternally, beyond the dog and pony show of appearances, she would have been buried in the empty grave next to him that was reserved for her at the Mount Carmel Cemetery or at-least her ashes spread there, but she left her own verdict on the Leo Frank trial from the passing of her life, and the silence speaks deafening volumes when she died long ago on April 23, 1957 of a heart disease (broken heart), just 3 short days before the 44th anniversary of the Mary Phagan murder.
If you want to learn what really happened at the Leo Frank trial, visit The American Mercury on the Internet and read their August and September, October, November and December 2013, Leo Frank Case reports, they are publishing a superb multi-part series on the centennial of the Leo Frank trial. It’s chock full of images and thoughtful analysis, you would never get from other sources, who erroneously and willfully go out of their way to distort what happened in the Fulton County courthouse 100 years ago (July 28, 1913 - August 26, 1913).
The Jewish Daily Forward and Abraham Foxman are foaming at the mouth about the American Mercury and Leo Frank Research Library, because 100 years of their jewish pathological lies that have aggressively been pushed into the popular mainstream culture are disintegrating, one by one. Some members of the Jewish community never dreamed the 1,800 page Leo Frank Georgia Supreme Court archives would end up being published online at the centennial of the Mary Phagan murder, April 26, 2013, available for the whole world to read (archive.org), but now there is no escape from the disturbing truth within these official records.
100 Years of Censorship Coming to an End
Soon the world is going to find out about another child laborer Leo Frank sadistically defiled, one year before Mary Phagan was raped and killed. After the Leo Frank trial ended another little girl came forward with descriptions of a harrowing incident… In 1912, Leo Frank raped another one of his child employees, and when he was done ravaging her, he slithered down between her legs and bit her so hard on the inner thy adjacent to the vagina, that he permanently scarified her, but this didn’t come out until Leo Frank's appeals, because the girl had gotten pregnant and shipped off to a home for unwed mothers! This is the sadistic pedophile who has been used as a seditious bludgeon for a century to attack, defame, smear, slander, blood libel, and hate hoax Gentile Americans! This is the man being held up as a holy religious martyr of anti-Semitism. This is the girl whose virgin blood and strangled corpse gave birth to the financially and politically powerful ADL, the racist anti-Gentile hate group masquerading as a civil rights organization, always honoring Leo Frank as heroic and whose trial is a reminder that "not too long ago anti-Semitism, not the facts, convicted an innocent man" (ADL.org).
Fight for Mary Phagan's Honor
We Will Never Forget Mary Phagan and we will never stop fighting for her honor until our very last dying breath. We will never stop fighting against the century-old culture defamation war waged by the Jewish community, Jewish Groups like anti-Defamation League of B'nai B'rith (ADL), Southern Poverty Law Center (SPLC), and many individual Jews against the South, Southerners, European-Americans, African-Americans, Christians and for that matter their ugly culture war all of Western Civilization. Fight back against the Jewish lies. Post this article everywhere. We Generation X'ers and Millennials and future generations WANT OUR HISTORY BACK!!
Jews have aggressively dominated the false narrative of the Leo Frank Case since 1913, but as of 2013 you can finally learn everything the Jews have tried to censor & suppress at The Leo Frank Research Library: http://www.LeoFrank.org
Last edited by LeoFrank; June 8th, 2019 at 04:30 AM.
|jew on white, leo frank, mary phagan|