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October 29th, 2004 | #41 |
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What was funny about Sesame Street is my brother and I watched it. What did we learn? That brown people lived in slummy areas with a resident who lived in a garbage can. The only guy we liked was Mr.Hooper or any white kid that would be in there. Its funny how an instinct like that in children (well us anyway) from 4 - 8....you stick to your own kind.
And what about Ernie and Bert? Were they just friends who shared a rubber ducky?
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"Ye are of your father the devil, and the lusts of your father ye will do. He was a murderer from the beginning, and abode not in the truth, because there is no truth in him...." ------ John 8:44 |
February 22nd, 2008 | #42 | |
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Quote:
How is the "X files" and "Family guy" anti white? And why did you not list the worst anti-white show ever produced? That show bieng "in living color" |
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March 6th, 2012 | #43 |
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Jaye P. Morgan was a nigger-lover who gave every nigger act a 10 and would stand in front of the gong if anyone else tried to gong a groid.
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March 6th, 2012 | #44 | |
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Quote:
http://en.wikipedia.org/wiki/Diff'rent_Strokes Todd Bridges was arrested in 1994 after allegedly ramming someone's car after an argument.[9] He also had issues with illegal drugs for several years, but has given up the habit. He has since traveled across the U.S.A., touring schools and discussing the dangers of drug use.[10] He also enjoyed semi-regular guest spots on Everybody Hates Chris as Monk, a shell-shocked Vietnam veteran, conspiracy theorist, and nephew of Chris' boss Doc. Bridges stated in an interview with Meredith Viera that while he was questioning, he and Plato had sexual relations during the production of the show, which he says Plato did to help him identify his sexuality. He also stated that Plato started him out with drugs, giving him marijuana at age 14. Plato denied both of these statements. |
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March 6th, 2012 | #45 |
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From the very start televison has been a Jewish-owned enterprise and the Jews used it to promote their agenda from the begining.
Even seemingly innocent shows like The Andy Griffith Show, The Beverly Hillbillies, and Hee Haw were created, directed and produced by Jewish television executives, and they carried a very subtle anti-White message - that White people are backwards, clumbsy, inept, unsophisticated, oafish, square, and generally lacking in admirable qualities: These weren't shows made by White people who wanted to laugh at themselves - they were shows made by Jews to ingrain a subtly planted seed of self-hatred in Whites; leading them to despise their White culture which was depicted in highly exaggerated negative stereotypes in the cultural mirror that is television. And that was just the beginning... |
March 6th, 2012 | #46 |
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In the early days of television, nearly all characters (even the ones portrayed by Jewish actors) were cast as White. Blacks on television were unheard of, apart from the occassional role of a servant, such as the Jew Jack Benny's man Rochester; who was depicted as a typical Uncle Tom type clown that occassionally showed more common sense than his "White" boss. But for the most part, televison was devoid of non-white characters as the Jewish television executives were uncertain as to how White America would react. They had to test the waters first and introduce them gradually.
One of the first non-White characters to be introduced to the American television audience was Lucille Ball's real life Cuban husband, Desi Arnez; who was depicted as a suave, sophisticated, exotic, Latin with a well-dressed sense of style and "sexy" Latino rythmn. These attributes were played against his White wife's ditzy, immature, scatter-brained, bi-polar personality, as well as the stogy, shlubby, personalities of the couple's land-lord neighbors, Fred and Ethel Mertz (who may have been based on Jews, though this was never revealed in the show). In the early days of TV, Jewish television executives often relied on what motion picture audiences of the cinema found acceptable and used Hollywood to test the waters as to what they could get away with on TV. The civil-rights movement of the 1960's saw a number of motion pictures released that presented themes of racial tolerance, diversity and even inter-racial relationships as their main plots. One of the first of these was the 1962 film adaptation of Harper Lee's To Kill a Mockingbird which focused on a fictional court-case in a small Alabama town brought against a lowly black man accused by a white-trash backwoods girl of attempted rape, after her redneck father caught her kissing him. The black man was defended by a court appointed lawyer played by Cary Grant, who was presented in a positive light by virture of his fairness and integrity in defending the negro against his repugnant, low-life, bottom-feeder, White accusers. Following on the footheels of To Kill A Mockingbird, Jewish Hollywood movie executives released A Patch of Blue in 1965 about the relationship between a black man, Gordon (played by Sidney Poitier), and a blind white female teenager, Selina (Elizabeth Hartman), and the problems that plague their relationship when they fall in love in a racially divided America. Made in 1965 against the backdrop of the growing civil rights movement, the film explores racism from the perspective of "love is blind". Scenes of Poitier and Hartman kissing were excised from the film when it was shown in film theaters in the Southern United States. Shortly afterwards, in 1967, Jewish film director Stanley Kramer released Guess Who's Coming to Dinner , considered to be a groundbreaking motion picture for its positive representation of the controversial subject of interracial marriage, which historically had been illegal in most states of the United States, and was still illegal in 17 states, mostly Southern states, up until June 12 of the year of the film's release, when anti-miscegenation laws were struck down by the Supreme Court in Loving v. Virginia. 1967 also marked the year of Television's first interracial kiss, albeit in the context of it being forced upon, but not resisted by, the characters of Captain Kirk and Lieutenant Uhura, who were being manipulated by tyranical aliens in the form of Olympian gods in the episode Plato's Stepchildren of the Jewish-produced science fiction television show, Star Trek; which featured a multi-ethnic, multi-racial crew of star voyagers set in the socially advanced 23rd century, where the issues of race and prejudice had been set aside It all went downhill from there.... Last edited by Steven L. Akins; March 6th, 2012 at 08:41 PM. |
March 23rd, 2012 | #47 |
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Everything you said above was correct BUT the court appointed nigguh defender was played by Gregory Peck.
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March 23rd, 2012 | #48 |
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March 25th, 2012 | #49 |
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NiggaBeasts, Jews, Muds, Incinerator Fuel |
March 25th, 2012 | #50 |
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Comic books were another Jewish-dominated business in America:
Brian Michael Bendis, comics book writer Sol Brodsky, comic book artist and Marvel Comics executive Al Capp, cartoonist (Li'l Abner) Roz Chast, cartoonist (New Yorker) Howard Chaykin, comic book writer Daniel Clowes, alternative comics writer (Ghost World) Gene Colan, comic book artist (Daredevil) Sophie Crumb, alternative comics artist Peter David, comics writer & "writer of stuff" Kim Deitch, comics artist Will Elder, cartoonist (MAD Magazine) Will Eisner, comics artist (The Spirit) Miriam Engelberg, comics writer (Cancer Made Me a Shallower Person) Al Feldstein, cartoonist (MAD Magazine) Bill Finger, comics artist (Batman) Max Gaines, founder of EC Comics, pioneering figure in the creation of the modern comic book William Gaines, comics artist and MAD founder Leo Garel, cartoonist for Playboy and The New Yorker Rube Goldberg, cartoonist Steve Greenberg, editorial cartoonist Milt Gross, Gross Exaggerations Allan Heinberg, comic book writer (Young Avengers) Harry Hershfield, cartoonist (Abie the Agent, Desperate Desmond) Al Hirschfeld, caricaturist Al Jaffee, cartoonist (MAD Magazine) Bob Kane, comics artist (Batman) Gil Kane, comics artist (Green Lantern) Jack Kirby, comics artist (Captain America, Hulk) Neil Kleid, cartoonist, graphic designer Aline Kominsky-Crumb, cartoonist (Dirty Laundry) Adam Kubert, comics artist Andy Kubert, comics artist Joe Kubert, comics artist Harvey Kurtzman, comics artist and MAD editor Mell Lazarus, cartoonist (Momma, Miss Peach) Stan Lee, comics writer (co-creator of Spider-Man, creator of X-Men, The Hulk, Fantastic Four) Jeph Loeb, comics writer (Batman: The Long Halloween) Robert Mankoff Clifford Meth, comics writer and editor (The Futurians) Josh Neufeld, Xeric Award-winning cartoonist (A.D.: New Orleans After the Deluge) Martin Nodell, comics artist (Green Lantern) Paul Palnik, cartoonist, writer, (The God of Cartoons) Harvey Pekar, comix writer (American Splendor) Rachel Pollack, comic book writer (Doom Patrol) Trina Robbins, comix writer Julius Schwartz, comic book and magazine editor Joe Shuster, comics artist (Superman) Jerome Siegel, comics artist (Superman) Joe Simon, comics artist (Captain America) Art Spiegelman, comics writer (Maus) William Steig, cartoonist & children's writer Saul Steinberg, cartoonist & illustrator Hilda Terry, cartoonist (Teena) Lauren Weinstein, comic book artist Mort Weisinger, comic book and magazine editor Morris Weiss, comic book and comic strip artist (Margie) Judd Winick, comics writer & artist (Pedro & Me, Green Lantern) Marv Wolfman, comic book writer Zeke Zekley, cartoonist on Bringing up Father and several others Last edited by Steven L. Akins; March 25th, 2012 at 07:15 AM. |
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