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Old August 22nd, 2020 #1
James Fette
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James Fette
Thumbs down Netflix "Cuties"?

Popsugar "writer" blames "conspiracy theories" for calling out "French" film catering to Pedos

https://www.popsugar.com/entertainme...eHTM7upPOABgHo
 
Old August 22nd, 2020 #2
Stewart Meadows
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Stewart Meadows
Default

.
I wrote about this disgusting pedophile movie in Gladiatrix's excellent thread Meet the Pervertsteins two days ago, but since you started a thread about it in the movie subforum, I'll repost my material here, if you don't mind (and if you do, then just say the word and I'll delete the post; your thread, your rules):

Here's the umpteenth example of how perverted jews are sexualizing children:

Quote:
Pre-teen twerking movie ‘Cuties’ reveals that Netflix can’t stop sexualizing children


Sophia Narwitz
is a writer and journalist from the US. Outside of her work on RT, she is a primary writer for Colin Moriarty's Side Quest content, and she manages her own YouTube channel. Follow her on Twitter


20 Aug, 2020 16:40



Marketing material for the new film ‘Cuties’ depicts sexualized 11-year-old girls dancing suggestively; so, in the iconic words of Chris Hansen from NBC’s ‘To Catch a Predator,’ Netflix, why don’t you take a seat over there.

The upcoming movie has the internet furious after both promotional material and a synopsis was revealed by the streaming giant. As per its original description – which has now been altered to appease the mob – it follows an 11-year-old who starts to “explore her femininity” after becoming “fascinated with a twerking dance crew” that she hopes to join.

It’s rated the R equivalent TV-MA, or that’s what it was pegged as before Netflix removed the rating, apparently in response to outrage, and the original American film poster, which Netflix has now 'updated', depicted a scantily clad pre-teen on hands and knees with her rear suggestively in the air while others twerk or pose for the camera.
(...)
Without seeing the film for myself, I can’t speak to its quality, or to how well handled the subject matter is. Personally I just won’t watch it because even with a deeper message I don’t want to see pre-teens acting lewd. But whatever the point of the movie is, Netflix seems to have missed the memo and, in an effort to promote it to a wide audience, they have unleashed what can only be described as pedo-bait, and no doubt the worst of the worst will now be clamoring to see it, based off nothing but the American poster.
(...)
The director has since deleted her twitter account, perhaps a victim of hate caused by Netflix’s boneheaded marketing campaign. This isn’t even the platform’s first stumble this summer and, due to poorly vetting not only its promotional material but those it allows to highlight its content, Netflix is putting children in harm's way with a complete lack of oversight. Take, for instance, ‘The Baby-sitters Club.’

In a tweet about the show from the main Netflix twitter account, one of the platform’s social media managers tagged her private profile while gushing about the series. The problem? The show is aimed at kids, and digging through the social media manager’s page uncovers countless sexual tweets that range in content from “jerking off” and rubbing semen all over herself - as additional context, she is trans - and explicitly wishing that others ejaculate on her face. She is even a self-described “cum slut.”
https://www.rt.com/op-ed/498572-cuti...sexualization/

The sewer known as "Netflix" was founded by jews:

Quote:
Wilmot Reed Hastings Jr. (born October 8, 1960) is an American billionaire businessman. He is the co-founder, chairman, and Co-chief executive officer (CEO) of Netflix, and sits on a number of boards and non-profit organizations. A former member of the California State Board of Education, Hastings is an advocate for education reform through charter schools.[2] (...) Hastings was born to a Jewish family
https://en.wikipedia.org/wiki/Reed_Hastings

Quote:
Marc Bernays Randolph (born April 29, 1958) is an American tech entrepreneur, advisor, speaker and environmental advocate.[1] He is the co-founder and first CEO of Netflix.[2] (...) One of Randolph’s paternal great-granduncles was psychoanalysis pioneer Sigmund Freud. (...) American people of Austrian-Jewish descent
https://en.wikipedia.org/wiki/Marc_Randolph

And Rose Dommu, the transsexual pervert and self-described "cum slut" who is affiliated with Netflix, is also a jew:

Quote:
As a young Jewish homosexual, Christmas wasn’t for me
https://www.out.com/television/2018/...idays-episodes

Rose Dommu:





 
Old August 22nd, 2020 #3
steven clark
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steven clark
Default Netflix "Cuties?"

'A desire to promote it to an audience." Actually, it's to create an audience, and once that's done, more will follow.

Really scummy shit here, and since I never watch Netflix, I'd have missed it.

Much like public relations…your purpose working there is to create a demand for the product. A lot of film producers, screenwriters, always hit their junior associates to change the script, to 'make it dark...darker,' because 'it's what they want…out there.'
Yeah, the ones saying this are almost always Jews.

Reminds me of a theater director who, when a kid read his musical adaptation of Alice in Wonderland, the director said it was okay…'but you need to explore Lewis Carroll's pedophilia, and show it more. It needs to be up there on stage."

The kid, who hoped to make this a family show, was a bit embarrassed, but duly made notes to change things.

The director was a Jew. He came on the scene, and everything in the Missouri college department became about Jews and Jews.
 
Old August 22nd, 2020 #4
Stewart Meadows
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Stewart Meadows
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Quote:
Originally Posted by steven clark View Post
'A desire to promote it to an audience." Actually, it's to create an audience, and once that's done, more will follow.
(...)
Much like public relations…your purpose working there is to create a demand for the product. A lot of film producers, screenwriters, always hit their junior associates to change the script, to 'make it dark...darker,' because 'it's what they want…out there.'
Yeah, the ones saying this are almost always Jews.
Exactly. The brilliant Dr. Pierce used to talk about this in his old ADV broadcasts from the late 1990s, and I remember that he once used the expression "putting the cart before the horse" when describing how the sleazy jews in the media and entertainment industry defend their perverted products.

Basically, these jews promote sick, disgusting and harmful garbage like race-mixing, homosexuality, transsexualism, etc., in their TV series and movies that target whites, especially teens and children, and then they simply say "Hey, don't blame us, we're just following trends, we're just giving the people what they want".

But of course that's a lie. Most white folks don't want to see white women get defiled by negroes, or little girls dressed like prostitutes while shaking their asses like strippers, or young boys in dresses and make-up. These are things that spring out of the sick minds of filthy jews, and they're being foisted upon the white public, and there are no real alternatives to them since jews control virtually all movie studios and TV channels.
 
Old August 23rd, 2020 #5
Jimsouth
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All a child has is innocence. To steal that away is a sin even God cannot forgive. The penalty should be Public Crucifixion.
 
Old August 23rd, 2020 #6
Stewart Meadows
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Stewart Meadows
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Quote:
Originally Posted by Stewart Meadows View Post
(...)
Most white folks don't want to see white women get defiled by negroes, or little girls dressed like prostitutes while shaking their asses like strippers, or young boys in dresses and make-up. These are things that spring out of the sick minds of filthy jews, and they're being foisted upon the white public, and there are no real alternatives to them since jews control virtually all movie studios and TV channels.
Well, there is one alternative: Hallmark. And that's precisely why the jews are attacking it. Jews think it's unacceptable that there's a TV channel out there that doesn't constantly excrete race-mixing, feminist, homosexual, transsexual and pedophile propaganda:

Quote:
One Million Moms Put In Their Place by Capital


Eric Striker Dec 17, 2019



Hallmark Channel's flip, then flop, on running an ad promoting homosexuality should be a wake up call to conservatives who have not evolved past the Reaganite-Republican "fusion" of Wall Street donors with Christian voters.

The Hallmark Channel has blown up since it took its stock off of the market in 2016 and decided to "lean in on Christmas." Today it is one of cable TV's ratings powerhouses, with the bulk of its audience being every advertisers dream: women in the 25-54 age range. Earlier this year, Hallmark Channel raised the price of buying its ads by double digit percentages.

Hallmark movies are notoriously repetitive, saccharine, and rife with internal product placement, but they also offer women a relatable rebellion that prioritizes love and family over modernity and capitalism.

The typical Hallmark movie formula features an urban female careerist lead - doctors, lawyers, scientists, journalists, et al - who escapes the rat race to small town America for the holidays. There, they inevitably meet a handsome and princely stranger, and bond over cookies, decorations, fuzzy animals, Santa Claus, and acts of charity.

Soon after, there is a magic kiss by the crackling fire, and in most of the movies, the female protagonists choose to reject the stress and nihilism of cosmopolitan life to live happily ever after with their new love in a Norman Rockwellesque fantasy land.


The CEOs of Hallmark are mostly cynical profit-seekers capitalizing on providing televised opiates for white psychological pain caused by globalization, but their popular business model has still come under attack from the system for this. Hallmark World is overwhelmingly white, has no homosexuals, and rejects the ideology of feminism to give women an illusion of what, regardless of how they are pressured to live their personal lives, they actually want.

Many social conservatives canceled by Jewish Hollywood have found refuge in the Hallmark snowglobe. Jon Voigt and Dean Cain have made movies with the company's studio. Hallmark's most well-known star and brand ambassador, Candace Cameron Bure, is a vocal Trump supporter.


In other words, the channel usually categorized in the 100s and available with special cable packages is an atomized corporate version of a phenomenon Henry Ford describes in The International Jew, where Americans sick of Jewish Broadway's depravity would run off to host Shakespeare in provincial barns, like pursued and marginalized cultural criminals.

As the myth of perpetual economic growth begins to unravel and cultural liberal engineers continue to moonwalk humanity backwards on the evolution chart, people seek answers and escape through extra wholesome entertainment and religion.

Hallmark has always kowtowed to the machine, when pressed. They have previously refused to air anti-abortion ads and forced through a number of films about Hanukkah this year (even though the religious element of Christmas is heavily downplayed in its movies), but still, this has not been enough for powerful people who look at its slightly dissenting material's march towards 100 million viewers for its holiday themed programming with suspicion.

Scarlett Johansson, who has courted controversy in the past for her Zionist fanaticism, even starred in a snarky attack on the Hallmark Channel on the Jewish skit show, Saturday Night Live. The media has been out for their blood.

Zola's Bake the Cake Moment

A large percentage of Hallmark Channel fans do not approve of homosexuality and are morally conservative. Hallmark's lack of engagement with politics - and propagandizing homosexuality is a political act - is the secret to its large conservative fan base.

After a torrent of complaints from the Christian organization, One Million Moms, Hallmark decided it would only run the two Zola ads that did not feature lesbians making out (four of the ads did).

Zola wound up going public with this minor dispute, which shows it is motivated more by making unwilling families look at obscenity than it is in selling wedding planning services to America's 1.1% lesbian population, of which only a small fraction will ever get married.

All it took for Crown Media Networks CEO and President Bill Abbott to overrule his underlings and call for re-airing the ads was a phone call from GLAAD, an organization representing elite homosexuals that is partnered with every big corporation you can think of.

The mere potential of a capitalist boycott from GLAAD's powerful benefactors can make an executive offer George Takei to take him out on a leash in a leather dog fetish costume at the next Academy Awards. Hallmark has now announced that it will now go out of its way to produce homosexual propaganda

The worst part is the total lack of solidarity from conservative media and politicians for One Million Moms as they come under attack from the cannons of a united "liberal" media front. This is partially thanks to the massive investment hedge fund managing Zionist Paul Singer has made in raising homosexual activists through the ranks of the GOP.

Rod Dreher, supposed defender of Christians, has said nothing. The National Review's article is a hyper-objective overview of what happened, without any opinions taking a side. The gay neo-con Brad Polumbo has been the most vocal conservative on this matter, and his op-ed is an attack on OMM and the Hallmark Channel's decision to listen to its viewers.

The Republican Party could fight the Jewish and capitalist forces that push homosexuals on unwilling members of the public, but never will. Donald Trump's administration, which owes its existence to the Evangelical bloc vote, is currently threatening Zambia with starvation if the AIDS-ravaged country doesn't decriminalize homosexual solicitation. Pope Francis and the Catholic Church, along with most Protestant churches, refuse to fight against the global homosexual crusade.

Which begs the question: why should the public keep supporting these institutions that fail us and our values? Perhaps it's time to do what Peter Hitchens has suggested for the Tories and boycott the fake right to clear the space for people who will actually represent the 10s of millions of women who watch the Hallmark Channel so that the normal people can once again be masters of our surroundings and push queers back into the closet.
https://national-justice.com/one-mil...-place-capital
 
Old August 24th, 2020 #7
steven clark
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steven clark
Default Netflix "Cuties"

A little heads-up about Hallmark.
I was at a film/communications group meeting outside a month ago, and one of its main members was a screenwriter who lives locally, a kind of muscle heavy, shaved head, always grinning type bragging how he was 'doing great' and 'was very busy' during these depressed times for the entertainment community.

He writes a lot of Hallmark scripts, and laughs how they're all made in Canada because it's cheaper, and now with Covid-19, Canada has less of it. (I think a subliminal reason too is Canadians are whiter then Americans…we have too many Jews and ethnics, and Canadians can still cough up anglo-saxons) He had a good laugh on how 'American' everyone thinks Hallmark is.

Also, for all their family scripts and stories of love, this writer is queer, his 'husband' is a black man, and they 'have a black son.'

A woman was talking to him about a recent film screenwriting conference she went to.
He smiled. "Were there people of color there?"
"yes," she said.
He grinned. "Awesome!"
Just a slight view of the people behind the screen.
 
Old August 25th, 2020 #8
James Fette
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Posts: 295
James Fette
Thumbs down Sundance

The writers and movie critics keep saying "Cuties" has artistic value bc it won awards at the Sundance Film Festival.

The co-founder of the Sundance Film festival was arrested for ...

Pedophilia.
 
Old August 25th, 2020 #9
Stewart Meadows
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The jewish sewer Netflix is trying to do damage control after the backlash:

Quote:
Aug 20, 2020 10:32am PT

Netflix Apologizes for ‘Inappropriate’ ‘Cuties’ Poster Slammed for ‘Sexualizing’ Little Girls


By Dave McNary, Elsa Keslassy

Netflix has apologized for and withdrawn a poster for its upcoming coming-of-age drama “Cuties.”

The artwork for the French-language film depicted four adolescent girls wearing revealing cheerleading outfits and posting provocatively, drawing backlash on social media for “sexualizing” little girls.

The Parents Television Council implored Netflix to remove the film, rated M, from its site.

“It is so revealing that the first major @netflix original to centre young Black girls hinges on explicitly sexualising 11 year old children,” Twitter user Claire Heuchan tweeted. “Whether it’s acting or music, a sexualised image is too often the price of mainstream success for Black women & girls. Disgraceful.”
https://variety.com/2020/film/news/n...ls-1234741510/
 
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