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Old November 1st, 2019 #1
Wyte_Fyte
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Default The Simpsons as anti-white propaganda

The Simpsons as anti-white propaganda

This portrayal of a white family unit served as a vehicle of the ethic of dysfunctionality that the Jewish mind manipulators had intended to uphold as the model of the antiheroic fragmented family that they knew would undermine the power of Aryan man, as the nuclear family (a family unit wherein the proper roles of its members are naturally assumed) serves as the basis of all societal order, being a microcosm of the macrocosm of Leviathan.

Thus to strike at the bedrock of society (the family) is to destroy the society and to render it susceptible of usurpation at the hands of those not so programmed with self- destruct conditioning (i.e. foreign invaders, the Jewish elitists - though the latter always corrupts itself through its own vices). The pater familias has always been the support which the family unity has existed and to destroy this figure in its natural form (a self-sacrificial defender and protector of the family unit) is to destroy the cohesion of the family and lead to its fragmentation and inevitable destruction creating a chaotic and ruined posterity.

Enter the figure of Homer Simpson whose odyssey in no way approximates that of his Grecian forbearer but rather the alcoholic waywardness of a deadbeat dad whose absenteeism renders his biological offspring misguided souls who have no paedogogical influence and thus no understanding of what to do or how to do it. Add to this witches’ brew the traumas induced in these same offspring through the Mr. Hyde brought out by King Alcohol and you have an inevitably dysfunctional demographic being created through this Homer Simpson influence of the corrupt pater familias.

Rather than conscientiously educating and instructing his biological offspring Homer Simpson was either hypnotizing himself in pleasant abandon before the Talmud-vision or hypnotizing himself before that same mind control machine in the Jewish-run poison store called ‘the bar’ wherein he would be encouraged in his vices by the barman who, though portrayed as a Polish Aryan (Moe), is in most cases a Jew feeding the addiction he induces in his goyim slaves at a profit.

Thus begins his down-going and that of his dysfunctional family unit, spiralling down the drain like so much alcohol fueled urine, flushing away the hopes and dreams of a better tomorrow for the hell of the present shunted aside through pleasant intoxicated memories of yesteryear when it was considered socially acceptable to be an alcoholic, as a high school hero, etc.

Thus the future is sacrificed on the altar of the past and the future of the family being bound up with that of the pater familias.
But can one entirely blame Homer Simpson for avoiding his parental responsibilities and seeking the sensationalistic entertainment, responding to the siren call of the bottle? Yes, however in the real world at the time of this fictional (and yet ‘constructive’) portrayal of the family the baby-boomer female was a presence often serving as the ‘ball and chain’ which the husband had to return to after his day’s drudge, an unpleasant prospect indeed.

Yet if he were a man in the Marlboro sense he would have ‘straightened out’ the crooked nature of a feminist corrupted home through assuming his proper role as the pater of the familia. Marge Simpson is the portrayal of the female who sold herself short through the nuptials instead of becoming like so many baby-boomer careerists who decided to abandon their children (perhaps through this very psychological pressure) this insinuation that a traditional role is ‘inferior’, rendering one ‘inadequate’ or merely a shadow of a person who exists as a pale reflection of the ‘man of the house’).

Thus the formula for the Bart Simpson latchkey kid is generated and a generation of parentally abandoned youth, by the father through no account dead-beat-dadism and by the mother through status seeking careerism or the perpetual dissatisfaction drilled into her subconscious mind through such media portrayals of the ‘inadequate wife’ archetype. Thus Marge becomes a police officer assuming a masculine role while Homer continues to swell his corpulent form with liquor and donuts, adopting a purely passive and sensationalistic, female lifestyle.

Both of these characterizations (caricaturizations) are a flagrant violation of Natural law through subverting/inverting the natural role of the sexes androgenizing the sexes and rendering their children confused as to which behaviour is appropriate for their sex and how to express it outwardly enabling them to become functional adults capable of maintaining the integrity of the white society against the takeover by the Jews.


Bart Simpson is to represent/construct/create the identity of the ‘white boy’, the reckless, unintelligent rebel without a cause who is perpetually creating trouble – legal, social, etc. He is portrayed as the quintessential no account (created in the image of his father) who skips school (implying an aversion to learning and an incompetence therein through its avoidance), and in general is the very presence of chaos in ‘the system’.

Being so portrayed the white male’s inherent rebelliousness and unwillingness to conform to ‘the system’ (a system which contravenes natural law and is thus unjust in essence) is construed as a vice when it is in reality a virtue. This is more perverting/inverting of the reality for the purpose of attempting to create an antiheroic role model for the white boys (‘rebel without a cause’, ‘bad boy’, etc.) and to construct his image as a purely negative figure, a destroying force of the putative ‘good society’ that constitutes Springfield (Babylon/Zion) run by the Jewish mayor Joe Quimby, the archetype of Jewish mishpucka corruption.

The converse is of course the historically veridical case/archetype of the white male youth: defender and protector of society, hyper-intelligent creative genius and natural law- abiding agent of justice. Within the matrix reality the reality is inverted. A nightmarish fantasy remains and nothing outside of it is permitted to be spoken of or acknowledged as existing.


The unintelligence of Bart is eclipsed by his little sister Lisa whose intelligence is the converse of his – that of genius level. The natural reality where males are endowed with much greater reasoning and inventive faculties is denied in the Jews’ false reality they have created portraying females as wise and all-knowing while males are portrayed as near-imbeciles incapable of knowing their own good let alone that of society – in short to be castrated and cucked by a female which is the prescription of the Jew World Order via their programming of which this is but one instance targeted towards ‘G’ audiences, young and old, used as a meme of the ‘smart girl’ to invert the reality or at least implicitly denigrate the white male.

The politically correct neuroticism of Lisa Simpson has been replicated in real life after this portrayal (and before though perhaps to a lesser extent), has wreaked great havoc upon society (upon the population of whites who are slaves to the society) and this character is the Frankenstein’s monster the Jews have created to unleash their tyranny – that of feminism and anti-white moralizing bigotry to strike at the root (the womb) of the once-white society.

Thus the Simpsons represent a microcosm of the macrocosm of both the Jewish brain pollution apparatus (media) and the actual society in the way in which these inverted roles have been drip-fed into the consciousness of the white population to accept non-white immigration (Abu), Jewish supremacism (Krusty the Clown), feminism (Lisa, Marge, Marge’s mother), deadbeat dadism (Homer), drop-out rebelliousness (Bart), etc. A more succinct vehicle of degeneration did not exist at that time though it was precedential in that it opened up the gates for even greater forms of vice to pour through into the consciousness of the passive spectator of the Talmud-vision.
 
Old November 1st, 2019 #2
Hugh Akston
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Quote:
Originally Posted by Wyte_Fyte View Post
The Simpsons as anti-white propaganda
They're not the only ones...

 
Old November 3rd, 2019 #3
Wyte_Fyte
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Originally Posted by Hugh Akston View Post
They're not the only ones...

I cauhgt the beginning of the family guy series but stopped watching tv around that time. I'm sure its even worse than the boom-directed simpsons anti-white programming
 
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