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June 27th, 2004 | #21 | |
Guest
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1. White stories will be produced/ disseminated more cheaply and easily than through film. Book distribution networks are easier to set up than film distribution. Such networks, at least in infant form, in fact already exist in WN circles. It would just be a matter of building on what we have rather than starting from scratch. Also a novel itself is more cheaply made, and requires far fewer people to do it, than a film. Of course the success of this depends on these works being rip-roaring good reads. 2. Once successful, a story from a novel has much more selling power than a script with no such history behind it. With successful White novels out there, White film producers would have a trove of tried-and-true, popular stories to choose from in deciding what to bring to the screen. Even Jewish producers will sometimes bring a White story to the screen if it has enough proven commercial appeal (Lord Of The Rings for example.) 3. Funds from successful White publishing can be used to fund White films or White activism in general. As a budding writer this is something I intend to pursue myself. I invite other good writers to do the same. And never let yourselves get discouraged by the false idea that art produced outside the Jew machine can't be successful. Remember The Passion of The Christ. There is a big White world out there, not entirely brainwashed, who will jump at the chance to consume turly inspiring and genuinely entertaining White art. |
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July 1st, 2004 | #22 | |
Junior Member
Join Date: May 2004
Posts: 160
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In regard to producing WN movies, even low-budget ones, there needs to be two things: 1: Financial backers willing to put up at least $50,000. 2: Writing and acting talent, which would probably be even harder to round up than the money. Acquire either one, and the other may be easier to secure. Until then, however, WN movies are just pipe dreams. |
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July 3rd, 2004 | #23 | |
Senior Member
Join Date: Dec 2003
Posts: 2,278
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